I did the sixth Lifeboat Party show today at Radio Castle. It’s on every Monday, noon till one and I could tell before I got there that just about everything that could go wrong was going to er, go wrong. Different studio. Different mixing desk.
Couldn’t remember the wifi password. Lead was too short to plug the laptop in. The mix was different through the headphones to the level it was at in the other studio. I’m really sorry, ok? It got better as I improvised a way around it.
But it wasn’t what it should have been. Sorry.
Good parenting
I emailed my mother about the show. We don’t talk much. There’s a reason. But I thought I’d make the effort. I’vbe got this show, I said. Here’s the link, so you can listen to it. Within the week I got a reply.
“As you know, I don’t really like that sort of music.”
I am so glad I bothered. No, really I am.
Listen Again. Just do it. Please.
You can listen again to all the Lifeboat Party shows here.
When I first went to journalism school (oh, didn’t I tell you? Why don’t you buy me a drink and I will?) we all thought we were going to be fast-tracked onto the free drinks circuit. All the movers and shakers and people who wanted to influence people were bound to want thirty 18 year olds swigging their free champagne and stuffing vol-au-vents in their pockets for supper while we practised our T-Line shorthand and forgot people’s names, starting on the fifth free champagne and an empty stomach, with our own. Bound to. Somehow the 46th Annual Bread, Cake and Confectionary Exhibition at Cardiff City Hall didn’t quite go that way and nor did I.
Cardiff City Hall. Dropped the camera. Bit skew-whiff now. You’re my besht mate. No, really you are. You know that?
But today reminded me what ligging was really about. Not scoring free drinks and some nibbles instead of buying your own lunch, but getting your face about and keeping an ear to the ground, although now not drinking so much that you do that literally.
I was walking down the street, like you do, when I saw a friend of mine walking towards me. Where are you going? Off to a press launch. Invites only. Mind if I come? No, if you like.
It’s that simple. Like many things in life, the hardest thing is believing you can do it. And not acting the arse when you do. I met a few interesting new people. Made some contacts. They might come to something, they might do later. Might have some new guests for the Lifeboat Party radio show at www.radiocastle.com. Gave them my card (thank-you Vistaprint, £6.59 well spent) and something might come of that. Who knows?
Even if it doesn’t it reminded me of two things. More people usually want to meet you than you think. And you don’t always have to buy your own drinks.
Long long ago when the world was young and me, well, I was younger too a band called Steely Dan used to play a song called Pretzel Logic in the days when bands apart from The Archies had to usually write their own songs, then play them on instruments they had to learn and then sing them themselves. I know!!! How fake is that!?!?! It’ll never catch on.
Well it did, because there wasn’t any other way of doing it. People like Frank Sinatra never sang a darned thing they’d ever written because that’s not what they did and so far as I can guess, Elvis and Suzi Quatro didn’t either. Suzi Quattro. I mean, what? As someone who is a little over 21, each time I see this I can’t believe I saw this. It wasn’t just the obvious bra-less ness, (like OMG) or even the leather jumpsuit, or the huge hairy blokes she surrounded herself with (and apparently it was the drummer, I seem to remember, if I got that right). It wasn’t just the fact that back in ’73 this stuff went out on air live at 7:30 on a Thursday on Top of the Pops.
Suzi Quatro was considered a healthy influence on fourteen year-old boys, back then. It explains quite a lot, doesn’t it?
That’s right morality crusaders. Ever wondered why youth street crime went up? Back in the day you could leave your back door unlocked, if you’ll pardon the expression, because every malenky nadsat droog was safe at home trying to memorise every stitch in the seams in the lingering crotch shots the BBC thought appropriate before the watershed. And there were quite a few.
Were they strange times? I don’t know. Like any time, we all thought it was normal, even when we heard stuff like Sparks singing some of the saddest songs I’ve ever heard. It wasn’t just the bloke who played the keyboards and looked a bit like Hitler, or his androgynous brother (how weird was that, man? as we said back then). It was the whole, you know. Thing. We were fourteen or something. Why did we have to deal with stuff like this? I mean, it wasn’t 1918, except for the Souix.
But then, why did we buy it? Because we did. We all bought hugely into the whole sad song laments of Americans dragging thirty (how old? Nobody’s THAT old, man) not least because back before the whole interwebby thing and Wikipedia it wasn’t easy to find out that Ian Hunter was born in 1939.
I’m sorry, I still need to pause to let the horror of that statement go away a bit. “I got out my six string razor and hit the sky.” As we said back then, what does that even mean? Did we ever listen to the words when we heard bands like Eagles, singing coked-out dead-end laments like Desperado and Hotel California? How did that resonate with someone less than half their age, living 5,000 miles away on an estate in Trowbridge? Because it did.
Probably it meant just the same as it means now. The words change but the feeling doesn’t. Someone said to me yesterday, “you’re good with words when you speak. But when you write it down it’s shit. Sorry.” And sometimes, she’s right. I can’t catch that feeling, the way the music made us feel, the way it probably makes younger people feel now. Same things, different words. The same feeling, just a different way of saying it. I thought that as we sat on our bar stools as the music played. This hasn’t changed in three decades, for either of us.
For me, it was always Deacon Blues. Back before I had to do something about un-becoming the expanding man in the opening line (yes I did, yes you can, buy the programme…) Steely Dan’s song did it for me. It got in my head. It became my anthem. I don’t drink scotch whisky all night long. Not for years. I don’t drink drive. But I sometimes think the real thing I should do is learn to work the saxophone and play just what I feel. I’ve been called many names when I’ve lost, usually short ones but they still don’t call me Deacon Blue. There are days, more often nights, when I wish they did. Somewhere in that parallel universe, sometimes, just sometimes when the nights are getting longer and the apple wood smoke is heavy on the ground, when the winter starts to feel its way through your clothes, somewhere they still do.
And pretzel logic? Oh, you know how that works. Or maybe you don’t, if you’re lucky. It’s late and the words make perfect sense at the time and they curl back on themselves and make their own sense, in a big circle, like one of those who was that Dutch guy who did the drawings of lizards running upstairs in a circle. You want another? You drive here? You know how that thinking works and where it’s going, at least until you sober up.
So as The Archies used to say, pour a little sugar on it, baby. Just pour a little sugar on it. Yeah, yeah, yeah.
Each week I do a community radio show. Me and Garrison Keillor, we’re like that. I wish, anyway. His rather more famous show is called the Prairie Home Companion. Mine’s unoriginally called the Lifeboat Party and I try to get a new guest on the show every week, to prove there is life in Suffolk.
Learning or experience, or both? Who knows? It has to be a combination I think, which sits at odds with things I used to believe, that learning meant sitting still and reading a book. I didn’t learn as much as I should have done that way, and my grades showed it. I got bored, I looked at of the window and wrote poems about trees and girls, all the stuff the lovable but messing-up kid does in films, a kind of budget Owen Wilson, a bit older.
I looked-up Owen Wilson on a movie database. He came out with the kind of thing I’d say:
There’s that great quote from Beckett, I think, ‘He had an abiding sense of melancholy that sustained him through brief periods of joy.’
Why? Because I know that feeling. I live that feeling. It’s not altogether a bad thing, but that’s the way it is. But I also recognise the academic slopiness betrayed by the ‘I think,’ the attitude that says look, I’ve read quite a lot of stuff and if I’m just generally quite charming and seem assured I can usually get away with saying things that maybe perhaps aren’t entirely accurate, because to be honest, charm beats rigour.
As it should and it’s fine unless you’re say, building a motorway bridge or doing neurosurgery, but it’s not the nicest thing to know about yourself. You see? You see what I mean?
But the learning experience, well, there have been several this week. For the first time in a long time I went out and interviewed someone on their territory.
The Monday Lifeboat Party show, my radio slot now has two interviews all lined up and sort-of ready to go. Almost. Except one I recorded onto CD and I can’t get it off onto my editing software because my CD drive is bust and I can’t unwrap the files from their email format and the other one is just about edited and now I can’t burn it to a CD because my CD blah…..
Technology. It’s not the studio’s fault. This is my own kit that’s broken. The learning was one of those usual learning things. I’d never edited sound before. I got about an hour and a half of material from the first interview, about forty minutes from the second one in Walberswick. That one I recorded on my iPhone. Depressingly, the sound quality was way better than on the expensive digital recorder I got just a couple of years ago, really good, easily as good as the studio recording.
It’s a bit over the top for editing audio tape, isn’t it?
But too much of it. I had to learn to cut bits out of the recording and join it back together again. It used to be done with magnetic tape, a guillotine and glue. You’ve seen it in the films.
Just kidding and anyway, it’s all done, like most other things (yes even that, or arranging it, anyway) these days on a laptop. It took me hours to get started. What I should have done is listened through with a piece of paper and a pen and marked-up where I wanted to cut.
The first ten times I cut anything I deleted the entire track and had to re-load it from the place Steve Jobs at Apple had thoughtfully put a spare, knowing I’d probably do something like that. Thanks for looking out for me, Steve. You don’t get that from Bill Gates, just 46 questions asking you if you really want to do that are you sure you want to do that are you really sure you want to do that and do you feel lucky, well do you punk? And we all know how that one ends.
But then it clicked, literally. I got it. I found how to cut. I found out how to cut just at the start of a word so there’s no silence and no dreaded Splicer’s Disease, where words get merged into each other so that people talking about a delightful cream-coloured jumper ruined when someone fell out of a punt changes utterly when you cut the wrong nine words and six letters. And as always, after I’d learned how to do it I couldn’t really imagine a time when I didn’t know how to do it. It’s so easy. Except until you learn it by doing it, it really isn’t. Which makes learning a much more complicated thing than I’d ever really thought about, but I’m thinking about learning a lot this week.
This morning a final listen through and see whether I can be bothered to cut the coughs and intakes of breath (no, just normal ones, it wasn’t that sort of recording). Then find a way to get it onto the mixing deck at the studio. I might go in on Sunday and see what I can do. A day you don’t learn anything is a day wasted, after all.
So I just finished my fourth show, the Monday noon Lifeboat Party slot at www.readiocastle.com.
So far I thought the third was the best, with someone saying to me ‘you sounded like a real DJ!’ which flattered me hugely. This time I had no guests at all though, everyone had blown me out and I forgot my Kid Creole Lifeboat Party CD for the signature track.
I thought the whole thing was a total disaster, his fourth show. I just wasn’t in a great mood, bad weekend and chaotic. I couldn’t hear through the headphones, I couldn’t remember which CDs I’d loaded into the decks, the iPod feed was about half the volume of anything else and I couldn’t hear anything from the iPod at all, so I didn’t even know if it was playing or not.
So I talked about BT’s broadband to Rachmaninov’s Second (Rach 2, as we call it down the station, darling) and that seemed to go a lot better than I had any right to expect it to, unrehearsed. Then I played Magazine’s Permafrost and totally, I swear, totally forgot about the line that runs I will drug you and oh look at that out of the window. Except there wasn’t a window in my studio.
Got home. Thought I’d blown it. Got email. One word: “Brilliant.”
About a million years ago I fell in love with a song. I know, another one. But this one, this one was really special. It had something other songs just didn’t have. Rythym. Lyrics that touched my heart.
It was Roxy Music’s Oh Yeah (On The Radio) and the rhythm of rhyming guitars still does it for me. *sigh*
Anyway pop-pickers, you can hear my own selection of corny old songs (and some new corny songs too) at Radio Castle on my show, the LifeBoat Party.
It’s on Monday at noon BST. If you miss it you can listen again if you make like a dolphin and click here. As we say down the station.
Any requests, let me know – we’ve got 21,000 songs on the system apart from the awful old stuff I bring in as well.
Should’ve listened when you never said you’d stay.
Hello loneliness I missed you not at all.
Hello just another girl I knew.
Hello memories and snapshots in the rain.
Reading all the writing on the wall.
(I’m reading all the writing on the wall.)
Is someone having a laugh or what?
This is something I wrote just recently for Frances Shelley who asked me if I’d like to do some lyrics. When I got up off the floor I realised it wasn’t a joke at all.
I drew on things that had happened to me; the midnight garden I stepped into once, a long, long time ago, the one that became the garden that Ben stepped into in Not Your Heart Away , as well as my own midnight garden I stepped into here. I thought about something that happened this past summer.
This is what came out. It might come out alright yet. The lyric might be ok with a bit of work too.
Long long ago when the world was young or at least I was, when Latin teachers had actually fought in the Spanish Civil War (unlike Eric Blair, mine tragically wasn’t shot by a Fascist sniper) and university lecturers still awarded marks for Marx, I read Sociology at the University of Bath. I didn’t read much of it, to be honest. Like Ben in Not Your Heart Away I had a head full of ideals and romance, not for anyone in particular, just for the thingness of things. The brightness. The future. The shining plain.
Lenin. We used to go in the same pub. Not at the same time, admittedly.
I didn’t enjoy Sociology. I thought it wasted my time and its own. I didn’t see the point of it. I disliked the earnest mature student middle-class magistrate mums who thought they were contributing to ‘the revolution’ they desired, oblivious to the fact they’d almost certainly have been first against the wall if their revolution went the same way it did in Russia, thanks to a bunch of sociopathic paranoiacs. The biggest joke of all looking back was that not a single one of them realised they were in the middle of the biggest, sickest revolution this country ever went through, back in the early 1980s. But anyway, he typed, wiping the spittle from the laptop screen. Moving on.
I always liked finding things out. I didn’t like the way if an identifiable real incident was referred to that was instantly called ‘anecdotal,’ which was supposed to mean unrepresentative. It wasn’t even tested, just a knee-jerk response, as valid as “Marx for marks” or “greed is good.” Like the selective view of soviet communism, it seemed to be the collective truth that it was the principle that counted, not the facts. If something really happened then it just didn’t. Facts were irrelevant. Reactionary. Not to be trusted.
Things that make you go hmmm
It was a view that coloured my view of the validity of lots of research. Working in commercial research for two decades made me realise that there are plenty of charlatans around and the very biggest ones are too stupid to even realise that they are. You can spot them easily though; they’re the ones with the presentations full of buzz-words, usually ones they don’t actually know what they mean going forward. As Gregory Peck said in Twelve Angry Men, let’s run that up the flagpole and see who salutes it. Or we can throw it out on the stoop and see if the cat licks it up.
You can see a problem just from the title. The Old Firm is Rangers v Celtic, Prods v Papes. Quite how two different brands of imaginary friends make you punch your partner in the face (because God wanted it that way?) is a mystery to me but then the Lord moves in a mysterious way. Much like the fans after a bottle of Bucky.
The real issue, the real problem with this research is ‘reported’, because generally, it isn’t. Women make excuses for the people who attack them. They’re embarrassed about staying with them. They’re encouraged to believe it’s their fault. The more it happens the more it happens, because for the woman it becomes a cycle of feeling more and more useless and deserving of being attacked while for men it becomes a self-justifying loop of look-whit-ye-made-me-dae.
That was inappropriate. I am sometimes. It’s certainly not an issue confined to Strathclyde.
But it’s also not an issue that benefits from ‘explanations’ like this. Whatever else I am, I am not stupid. And I have not the first clue what this “Association” (geddit??) graphic is telling me or even what it is supposed to tell me. A picture isn’t always worth a thousand words. But some researchers seem to believe a picture like this proves academic rigour, that the less intelligible a report is, the magically ‘better’ it must be until everyone sings the chorus to The King Is In The Altogether. The emperor is always naked, whatever people flatteringly say.
If you can’t see what it is from this picture, it isn’t saying anything worth saying. It is, as they might say in Strathclyde, a self-righteous havering pile of sh*te.
Here’s what it said:
It was found that the median number of reported domestic incidents was significantly greater in the Old Firm condition, compared with the Old Firm comparator and both Scotland International conditions.
That means more people punch their partner in the face when Celtic are playing Rangers, more than when any other match is on. So why not say it? Bit they havnae finished:
Moreover, there was no statistical difference between the Scotland International and Scotland International comparator conditions. Additional comparisons indicated a statistically significant difference between Old Firm and Scotland International comparator conditions, but none between Scotland International and Old Firm comparator conditions.
Moreover, that is simply repeating the first sentence, unless you want to know that when Celtic play Rangers there’s a difference in the amount of partner-face-punching compared to when Scotland International matches are on, but we’re not told which way, better (less) or worse (more). Sorry, that’s me introducing my disgusting, frivolous anecdotal subjectivity into science. Again.
We are told there is evidence of a link between sporting events and increased levels of domestic violence in wider society (Brimicombe & Café, 2012). Palmer (2011) discusses the role of the “holy trinity” (seeWenner, 1998) of sports, alcohol, and hegemonic masculinity in the context of domestic violence but this minces words.
Other hegemonic masculinity. Of a sort.
How about this? Sport, specifically football, attracts morons who like a fight, especially when they’re drunk. There are no mass fights at rugby matches, or tennis or chess tournaments or even cricket matches, despite the temptation to lump the bathetic Barmy Army. When Celtic are playing Rangers, drunk morons who think their God likes this kind of behaviour like to smack their wives and girlfriends about, more than at other times.
This is not “engaging in hegemonic masculinity.” This is called being a violent, domineering, retarded inadequate. There are other, much shorter words that I know for a fact are often used in Strathclyde. But of course, a proper social researcher could come up with a more academic nomenclature.
I didn’t do well in Sociology. Somehow I just couldn’t see the point of it at all.
I cycled about nine miles to a friend’s farm. We were going to discuss the business plan I’m writing for her, changing her experimental pastoral herd to one that can sustain a modest living for more than just the cows.
It was a sunny, late June evening and the back-from work rush-hour was starting in Butley. There must have been four cars altogether, two behind me and two coming towards me, one of them waiting to turn into the side-road on my left.
It was a little red car, about 15 years old judging by the P-lettered plate. The woman driving it was in her late twenties, a bit tanned, wearing shades with her hair in a top-knot. All the car windows were down and there was music blasting out. I didn’t recognise it at first. You don’t normally hear anything in Butley. When the Butley Oyster was open there used to be old photos on the wall, memories of a time when things ever happened in this tiny, usually silent village.
The pub used to be confused with the Oysterage at Orford, famous for its food and the way when people from London phoned to try to book a table, the landlady, who never, ever served food, thought it was terribly clever and amusing to pretend she’d never heard of the Oysterage and that she had no idea what anyone was talking about. That’s a real old country thing, the satisfaction of saying ‘they couldn’t trick me’ while what they actually did was gave their money to someone else. Odd that the pub is shut now. But like most of Suffolk, despite what the more moronic inhabitants like to pretend, it hasn’t always been like this at all. The photos on the wall of the pub proved it. All of them in black and white, faded with time. One of them showed a crashed Heinkel in a field, a wrecked German bomber surrounded by British policemen, civilians and a man in un buttoned RAF tunic, holding a machine-gun from the aircraft at waist-level, pretending to be Jimmy Cagney over 70 years ago. Oh the fun you can have when you’re young with a uniform and a gun.
Home Guard
The other photo I always noticed was from the same period, when Suffolk expected to be the front line and over-run. Especially this part of Suffolk, just a few miles from Shingle Street. This whole area was off-limits to civilians for most of the war. Whole villages were simply confiscated and everyone told to leave for the duration. Iken was one, where thousands of Allied troops charged up the beaches of the Alde in practice for Normandy. Shingle Street, just a few miles away, was another and to this day, no-one really knows what happened there, nor whether or not there really was a German landing that resulted in hundreds of burned bodies being washed up along the shoreline. The photo showed the local Home Guard unit, the men too old or too young or too infirm for active service, kitted out in their uncomfortable-looking serge uniforms and re-cycled WW1 Lee-Enfield rifles, leftovers from the War to end all Wars. There are lots of sad things about old photos, not least the fact that in any photo seventy years old, its likely that most of the people in the photo are dead. But there was always another sadness about this photo of the halt and the lame. The Home Guard were by definition, the men who didn’t join the regular Army. The sad thing was the number of them in the photo, more old and young, more men unfit for active service than live in the whole village today.
Suffolk more than many rural places has changed more than most. Without any motorways and a farcical, un-commutable railway service that means the 97 mile journey to London takes around two and a half hours, once the farms mechanised there simply wasn’t anything for anyone to do. The farms weren’t the bulwark of society some people still like to pretend. They got rid of the horses, then they rid of the men who worked for them. That got rid of the whole point of most of these villages. The people drifted away, apart from the ones too old to do anything except hang on in a half-life of no work and no-one under 50 until the very end.
The music was still hammering out of the little red car when I recognised what it was the girl with the top-knot and the shades was listening to, a choral version of Jerusalem. One of the weirdest artists and poets who ever lived wrote it, living in the middle of London. I used to walk past where his house had been most days, just round the corner from where Karl Marx lived in a two-room flat writing so passionately about the exploitation of the proletariat that he got his maid pregnant. The song became the anthem of the Labour Party long before Blair re-branded it Tory-Lite (‘I’m Bombin ’ It’™). But it used to mean something, Blake’s Albion, the Labour-landslide 1945 generation’s self-reward for its blood sacrifice twice in what was so obviously not then an average lifetime.
We will not sleep till we have built Jerusalem in England’s green and pleasant land.
Blake must always have sat uncomfortably with the buttoned-up church folk. Like Dickens, he only once saw a ghost and then one no-one else saw or had ever heard of. He and his wife once sunbathed naked at a time when most decent people didn’t even take their clothes off to wash once a week. And the paintings, the poems about tigers, the rays of sun, the tablets of stone, the amazement and the wonder that radiates from everything this strange man painted and wrote, the power of the imagery and the dark undertow beneath dull little rhymes about diseased roses and flying worms. All of this, belting out of an old Nissan in a country lane one Friday teatime in England’s green and pleasant land.
This was Ben and Claire’s England, Peter and Liz and Teresa’s England in Not Your Heart Away. The magic is still there and like all real magic, it hides. You only find it when you least expect it. But it’s always there, waiting until you can see it again.
But it’s also not an issue that benefits from ‘explanations’ like this. Whatever else I am, I am not stupid. And I have not the first clue what this “Association” (geddit??) graphic is telling me or even what it is supposed to tell me. A picture isn’t always worth a thousand words. But some researchers seem to believe a picture like this proves academic rigour, that the less intelligible a report is, the magically ‘better’ it must be until everyone sings the chorus to 
