It Had To Be You, Django
What is there to say, Django Reinhardt?
You take forever now to smoke
That cigarette on the album cover.
A perfect swirl of smoke
Rises past your svelte lapel.
It all went pretty well that evening,
Even from here I can tell.
You did the gypsy thing
The jazz thing, the war thing
And now I’m older than you then
I still can’t do the guitar thing
The way you did with just two fingers.
Your wife made trinkets out of celluloid
Shirt collars, the same stuff they used to use
For film and like old pictures always could
It can burn. And then it did.
The caravan you lived in,
You two crazy kids in your teens,
The whole thing caught light
And as you saved your wife
You lost your hand; or at least some fingers.
You thought it would change your life
And it did but not the way
Anyone might have thought.
You were a gypsy jazz musician.
You looked like a Jew;
That’s what people said in those days.
Some places they still do but you,
When the Nazis came you got lucky.
Hitler might have detested jazz;
And Heydrich, the Reich Gaulieter of Bohemia
And Moravia wrote the rules but the guys
With the boots and the guns, the farm boys
And the doctors, the fliers and the sailors
Listening to Lili Marlene and Bing
And Miller and Dorsey, all of that swing thing
They liked that stuff. They were hep to that jive,
Man. Betty Grable! What a dish!
That music swung too, so Django, you didn’t
When nobody would have taken bets on you
Coming out the other side of that war.
Nobody at all. But someone looked after you.
You hid in plain view, playing at the Hot Club de Paris,
Not down some alley off a half-forgotten street
In an unfashionable arrondisement.
Not you. You were still up there with your name
In lights same as it was with you and Grapelli,
Back before; Someone else
With a pressing reason to leave Paris fast.
But it worked out somehow.
Nobody knocked on your door
In the small hours or if they did,
Only for friendly reasons
And with some pressing urgency,
The way it is sometimes.
Someone was looking after you.
And then June ’44
And America and electric guitars
That you never really liked
Listening to you, it’s plain that’s true.
The fluency still there but the sound flat.
Maybe nobody knew what electric guitars
Were for back then. Maybe even you.
Transatlantic meant a week on a ship before
You came home again to Soissons-sur-Seine.
Thirty seconds of pain before
You put down your guitar for good.
You played better with two fingers
Than most people learn to play in two lifetimes,
That sound that people danced to, crooned to,
Swooned to, the forever sound of golden years.
In an imaginary past full of promises
That no-one meant to break, but still.
You know how it goes. You do now, anyway.
You played Limehouse Blues for a place
Where now you need a million,
To even think about it. That’s blue.
Nagasaki for a somewhere else
We don’t like to talk about too much.
You told us, back in Nagasaki
Where the fellers chew tobaccy
The women wiggy waggy woo. And maybe they do.
So I’ll see you in my dreams, and in nuages,
In a Sentimental Moon, Beyond The Sea,
In Echoes Of France with those Swing Guitars,
Swinging In Springtime. It had to be you.
Django. Didn’t it? That and Stephan’s Blues,
Double Whisky, Christmas Swing. Just for Fun.
Oubli. Parfum. Swing 39, 41 and 42.
All of these your tunes. It just had to be you.