Full disclosure

It was dark. We’d finished eating. I got up to open a bottle of wine. She looked down and frowned and pursed her lips as she sat at the kitchen table. I’d got used to that look. It was usually when I said I loved her.

“It won’t work. You just say everything, to anyone. I don’t want anyone knowing about me. I might as well get a sign made as tell you anything. It’s what you’re like.”

She looked up at me then and kept my eyes until I sat down. What she said was true. Sort of.

I do say things. A bit. Quite a lot, in fact. My truest, deepest friends will tell you. The kind ones call it ‘sharing.’ There’s a reason for it.

In my life some people have benefitted hugely from silence. My father, for one. We were one of the last houses on the new estate in the fields to have a telephone. My father worked away from home a lot. In fact he was only at the house three or maybe four times a week at the most. Even some Christmasses he’d have to work and as children we never knew when he would arrive. Then everything had to change as the whole house was geared to welcome his triumphant homecoming.

Name and rank

His parents were dead, so conveniently dead that although he talked about his father who was in a submarine accident off Blyth after WW1 (but not one that can be identified clearly, looking at any website I’ve ever found) and the mother whose foot his ex-RAF guard dog used to hold gently in its mouth none of them turned up at his wedding to my mother. In fact, nobody had ever seen a single relation of my father’s, ever. Alarm bells ringing just a teeny bit yet? They should be.

So, it’s the 1960s, we have a new house, my father has a new car every two years and he isn’t there a lot of the time. When he is the whole house is disrupted. As children when we’re asked at school what our parents do my father goes ballistic and roars around the house screaming that he’s going to complain to the school officially. Somehow he never does, officially or otherwise.

action man
The invisible man.

The time he really blew up at me was over an Action Man. Action Man, like my father who had been in the RAF during what was then called The War (we just don’t have proper wars any more) had a pay-book. With his name and serial number in it. I didn’t know anything about serial numbers, so when I had to (obviously) fill-in the details I asked my father what his serial number was. Because he’d spent six years giving this every time anybody asked for it my father recited it immediately. Then there was a silence.

“Why do you want it?”

I said it was to put it in my Action Man’s pay book. The rest of the day was shit.

I didn’t know why for years. Nearly fifteen years in fact, until I worked out that his serial number was the one thing he couldn’t fake. And as a career liar, my father faked a lot. Like many abusers, he got his victims to collude with the abuse, making excuses for him, refusing to check his lies, pretending things he said or did were a misunderstanding.

Things came to a head when my mother tried to divorce him and found out that you can’t divorce someone you aren’t actually legally married to. For example, if they were already married when they married you. And running a parallel family, although strictly speaking that part isn’t enshrined in law. John Richard Bennett, presumably the only son of Hannah Ramsey and John Bennett, who were married in the parish church of St Mary Cray, near Orpington, wasn’t born in Australia. His parents were never immigrants to the UK. He did not arrive in the UK aged two. He was not a dashing pilot. He was a liar, a bigamist and an abuser who during the war learned to work a lathe on an airfield somewhere. His fondness for the Wellington bomber he made from an Airfix kit might narrow down which airfield he was on if anyone could be bothered to find out. I can’t.

I’ve probably just done it again. John Richard Bennett, bigamist and abuser, sometime resident of Snitterfield, Warkwickshire, Gillingham, Dorset  Southwick and Trowbridge, Wiltshire, take a bow. You’re in the limelight, the place you always thought should be yours, but I think maybe for different reasons. I’ve stopped protecting abusers.

The beautiful woman in my kitchen the other night isn’t sitting at my table now. But if she ever reads this, that’s the reason why I say things. That’s why I’ve spent 20 years finding things out and telling people about them, for a living. That’s why I don’t like secrets. If people don’t want people knowing about the things they do there’s usually a good reason for it and I’ve never heard a nice one. Silence isn’t golden. It covers up abuse so everyone can pretend it isn’t happening. Silence doesn’t protect the victims, it just hides the people who look for victims. I’ve seen that happen enough.

 

 

 

 

 

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Special Offer on Not Your Heart Away

Not_Your_Heart_Away_Cover_for_Kindle

 

A while back JK Rowling brought a new book out. It launched through a major publisher, with the normal promotion given to any book but with one crucial difference. It didn’t have her name on the cover. Instead, someone decided that The Cuckoo’s Calling was going to have Robert Galbraith’s name as the author.

It sold 1,500 copies.

It was written by the same author who normally sells books by the warehouse full, the one whose Harry Potter books have put over £23o million into clearing her overdraft. JK Rowling doesn’t need my help to sell her books. But the story illustrates a point – it wasn’t the author stopping the sales; it was the way people perceived the book.

Known author – good. Unknown author – is it worth it?

So I thought I’d make buying Not Your Heart Away worth your while, baby. From today, Not Your Heart Away for Kindle is available at $0.99, or 77p in real money. Don’t say I never do anything for you.

If you want a real paper copy then obviously it’s a little more expensive. If you haven’t got a Kindle you can download the Kindle reader free and install it on absolutely anything with a screen, except perhaps an Etch-a-sketch. It might not be quite the same on that.

So at last, it’s cheap enough to give it a go. What have you got to lose, apart from 77p?

As Ben the narrator says, maybe it doesn’t matter if it’s true, so long as you believe it is. Maybe that’s how it works.

 

 

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The past is another country

What farms are those?
What farms are those?

Not Your Heart Away steals its title from Housman’s poem, A Shropshire Lad. The poem had two main themes, the idolization and mythology of the English countryside and sound advice to a young man, to give not his heart away so young, advice which Ben, the late teenage narrator ignores as any young man should.

The book is set in 1980 or thereabouts. A distant time now; a period teetering on the brink of monumental change at a personal and national level to all of which Ben was almost totally oblivious.

Along with his girlfriend Theresa, school-friends Liz and Peter and more distant, contemporarily more desirable (read ‘richer’ in proto-Thatcherite Britain) friends Claire and Poppy, Ben is stuck between adulthood and childhood, school and university, home and something much stranger, much more desirable. The small town girlfriend is going nowhere, Peter’s going to work, Liz is going to university, Poppy to Drama School if she can convince anyone to let her in and Claire, the girl he doesn’t think he can get, is about to fall off a cliff as her secure, affluent world implodes in the wake of her parents’ wife-swapping disaster and the first of a long line of bankruptcies that underscored the Thatcher revolution.

Nothing out of the ordinary really happens. The group of friends drives to see a play and avoid a car crash on the way. They have a lust-charged picnic on the river then eat dinner in a restaurant, struggling not only with the menu but with the fact that the nice old man at the bar was a Nazi when he was their age. Ben can’t stop looking at Claire all through the theatre performance; the real reason he arranged the trip in the first place.

He learns about the summer job that will take her away from him during the drive back. After totally failing to recognise a nice middle-class girl’s way of offering herself on a plate Ben arranges a trip to London on an errand and accidentally-on-purpose gets off with Claire’s best friend. Moping about back in Wiltshire and trying to convince Liz that he’s going to be a famous writer Ben’s world explodes again when he discovers Claire not 5,000 miles away as he thought but sitting in the back room of a pub drunk, half-mad with rage, a U.S. deportation notice and the keys of a stolen Aston-Martin in her bag.

Maybe it doesn’t matter if it’s true, so long as you believe it is

It’s a tale of country pubs that no longer exist, some drinking, driving and drug-taking that nowadays might bring a smile of indulgence to the lips of the most hardened front-line police officer, of blue remembered hills and myths. At the same time the book is a requiem for lost love, lost songs and lost times. Ben finally gets the girl but really should have asked himself if that was going to be the best thing; when he loses her again all too easily in a world devoid of Google and Facebook and mobile phones the rest of his life becomes a morass of blame and regret as each successive partner fails the Claire-test.

It’s probably not their fault, not even a bit as Ben says, but they still just aren’t Claire. Ultimately, thanks to Liz, Ben’s oldest friend of all, he finds her again. But Claire is a continent away, her old house is now a hotel, Liz and Ben have some talking to do that can’t be put off much longer and Claire’s son bears a strange resemblance to someone Ben sees every morning when he shaves. The past is another country. They do things differently there. But Ben’s problem is that he never really left.

You can buy it here: Not Your Heart Away.

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The unforgiving minute

First thing a big long walk and it felt good. A great start to the day. Then a shower, clean clothes and then Aldeburgh, in a bit of a rush now  because I’m not 100% clear on what I’m doing with these papers I’m delivering and I have to be somewhere else at half ten. The Lifeboat Party radio show goes out at noon and if I’m not on air it doesn’t go out. It concentrates the mind wonderfully.

Focus. Remember to breathe.

Get to Snape Maltings and get a text from the person I’m interviewing in the Britten Rooms. I’m in the Britten Rooms, she’s still ten minutes away in her car. Time, time, time. It’s ok. We get a quiet room, which would have been quieter if someone wasn’t knocking a wall down next door, by the sound of it. Do the interview unscripted and absolutely no time to edit, recording this on my iPhone. Yes, I’ve got a proper digital audio recorder. The iPhone gives a lot better sound quality. And it’s armoured, in case I drop it. Blitz through, thank my guest, mwah mwah and get in the car. I parked round the back because my car’s so old. Mildly amused to see her car’s even older.

Get to the station and Ray the station manager tells me I have a listener in China, so obviously Bowie’s Little China Girl has to be the first track on the playlist. He tells me I have a new Spanish listener too, but Spanish Eyes just doesn’t do it for me. I remember this from a time ten years ago when I was holed up in a hotel bedroom in Hong Kong, marvelling at the Merchant Ivory ferries on the water over to Kowloon, wondering if I’d ever see someone again. (Answer. Yes. And no. Can’t win them all. Husband issues. You know how it goes).

First guest, well ok, only guest on this week’s show was Naomi Jaffa who runs the Poetry Trust in Halesworth. She was fun. Poetry as a living art form. “I have no street credibility at all.”  Well, she sounded fine to me. I got her to read “Bike With No Hands.” Interviews are something I’ve done for the past fifteen years and that one was done half an hour before the show, no script, no editing, just straightforward old-fashioned getting people to talk about what they love. And it felt good. I didn’t know Snape was hosting Europe’s largest contemporary poetry festival. Such a small place for such a big event, powered by dedication. You really can move mountains if you try. As Kate Bush said, just saying it can even make it happen. Well, most of the time, anyway. The Kate Bush thing hasn’t quite happened outside my closed eyelids, but there’s still time.

A couple of songs then the Suffolk Metrosexuals story. Apparently more and more Suffolk men are slapping on the fake tan and getting their eye-brows done. Maybe it’s me but I think it takes a little more than that to qualify as a metrosexual. Like living in a metropolitan area, for a start. I couldn’t keep a straight face to even read it. Who makes this stuff up?

The song remains the same

A bit of Buzzcocks playing Ever Fallen In Love With Someone (You Shouldn’t Have Fallen In Love With)? Of course. Who hasn’t? I think the Fine Young Cannibals version just edges past this earlier version, but that could just be me. I’m old enough to remember them both. I certainly remember the energy of the Buzzcocks’ first version, and the oddness of the way the FYC version always sounded in 1989 as if the original was done in the 1960s.

Suffolk radio broadband was a good local news story and I think we covered it without it getting too technical. The idea is that it works via satellite, but I’m not sure where the signal comes from to begin with. It has to come from somewhere, surely. It can’t just be internet-ness. If that’s even a thing. A quick bit of Johnny Cougar, as he used to be called before he stuck the extra bit on his name (for tax reasons?), then into the serious story. I know one person switched off at that point. But it needs airing. Domestic abuse happens and if Radio Castle is going to be a proper community radio station with an OFCOM VHF broadcast licence then it needs to serve the community. I wish everything was like Garrison Keillor’s Prairie Home Companion (I wish I was more like Garrison Keillor, come to that), but I think I handled the theme passably. I didn’t sensationalise and above all, I got the contact numbers out where people can find them. I think I’m going to do that in every show in future. Domestic abuse happens. The victims often end up thinking it only happens to them. But it doesn’t. It was an upsetting story. I thought my voice was going to go at the end of it. Maybe John Lee Hooker’s I Want To Hug You wasn’t the best choice to close the story with, but better than Eye Of The Tiger or something.

Had to calm it down with a bit of John Martyn and somehow the hour’s gone and we’re into the closing blah. At the start of every show I don’t really know how I’m going to fill the time. At the end I can’t see how sixty minutes have gone. I hope it’s the same for the listeners.

The unforgiving minute comes from Kipling’s poem “If.”

If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And – which is more – you’ll be a Man, my son!

Mine is the Earth? Hmm. Or maybe I just won’t bore the pants off the listeners. I’ll settle for that.

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Maybe it doesn’t matter if it’s true…

 

Lions 

A long time ago I took a cat to the vet. He never liked going there even though the vet was kind, competent and did everything he could that I could see to calm down the queue of indignant dogs and cats whose dinner was late and who’d just been bundled into a plastic crate for strangers to stare at. The cat was called Reg; his brother had been called Ron and they were London cats. Anyone of a certain age can guess which one was the clever one with an attitude.

Good manners don't cost nothing, know what I mean?
Good manners don’t cost nothing, know what I mean?

Reg needed two injections, a local anaesthetic and some antibiotics. He’d been fighting a fox for over an hour the night before and judging by the screams and cat threats coming from the garden, he’d been the one objecting to the fox not showing respect. Good manners don’t cost nothing, do they?

Reg put up with the first injection and waited with all his muscles rigid until the vet turned away to prepare the second syringe. Then slowly, but I knew how serious he was about it, he reached for the vet’s neck with his claws out. He was a cat not a lion, on a surgery table, not on the veldt. I said it was just as well he wasn’t bigger. The vet didn’t mind. He said it was just as well, that some animals, there’s a limit to what they will take and after that as he said, ‘we both know what would happen.’ The same way people in parts of London did when the two demented twins walked the streets the first time.

Secondhand Lions

2ndlions

 

I thought of that story today when I saw a picture of someone feeding presumably tamed cheetahs in their kitchen. It’s not the kind of animal I’d like to argue about who gets the sofa with, but maybe they’ve got lots of sofas. That made me think about those two showbusiness brothers in America who had a house and a circus act full of lions until inevitably, one of the lions wasn’t having it any more. And because I couldn’t remember their name I typed lions and brothers into Google and came up with a film I’d never heard of, Secondhand Lions.

It’s an American film. It’s got Robert Duval from just about everything and Michael “Doors Off” Caine, big box office stars. So let me re-phrase that. It’s a Hollywood film. And if it’s a Hollywood film there are strict rules for the script. It will have a happy ending. It will leave the audience believing that love, mom, Gahd and apple pie will prevail. That good will win and evil will lose. That there is hope and truth and justice and bad things will happen to bad people sooner or later and they’re never happy, really.

But for all that dishonesty it sounds like a good Sunday afternoon film. A misunderstood and lonely boy goes to stay with two old men who seem crusty and useless but really they had an exciting life and both have hearts of gold as well as a cellar full of it. There are filmic crises to keep the audience in the cinema and during one of them Duval responds with a piece of his “What Every Boy Needs to Know…” speech, that the actual truth is not as important as the belief in ideals like good winning over evil, honor, and true love. 

Hollywood. Or Claire and Ben, both believing that in Not Your Heart Away, albeit for different reasons, she because she had to with her whole life falling to pieces and Ben because he thought ‘good’ resided within her jeans.

The moot point is the Oxford comma, the issue of where you put the comma without altering the meaning of a sentence, changing Ella Fitzgerald’s despairing “What Is This Thing Called Love” to the utterly fatuously funny, querulous “What Is This Thing Called, Love?” that Terry Scott or Bernard Cribbins might have sung.

“The belief in ideals like good winning over…..true love.” And sometimes, when things go completely wrong, that’s what happens. And it’s the saddest thing, when you know what had to be done had to be done, that it’s better for the person you love that it was done, but it isn’t going to get you closer to them at all. So maybe it doesn’t matter if it’s true. Today, these last few weeks, I don’t know the answer to that any more.

 

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First storm of winter

The first storm of the winter came in today as I was driving back along the A14. I could feel the car shaking as the wind took it, saw the trees waving through the windscreen. By the time I got close to the village where I live the road that always floods was under six inches of water, but the high road was flooded too, the water lying where I’ve never seen water on the road in the six years of being here.

clouds2

It’s been a raw wind all day, a damp chill that cuts through summer clothes and let’s you know you’re in for the long haul now. The radio was saying there’s a good chance the lights will go out this winter, because government after government has decided that having wars is much more fun than building power stations. Let’s face it, nobody is going to move out of your way at the G8 Summit just because everyone in your own country thinks things are going quite nicely for a change. That’s not what being a global statesman is about at all.

Someone had left my gate open and a dog fox was calling as I stepped out of the car into the dark and moved my  bags indoors. There was a spicy bean stew in the freezer and a bottle of wine in the rack. Put  the washing into the machine and unpack the bags, make the list of Stuff To Do and read three really, really nice emails from people who didn’t owe me a nice email but sent one anyway.

There’s food on the table and a bed waiting for me. And some days you count your blessings for those things alone, because there are plenty of people without and more to come. Tomorrow if the weather is ok I’ll cycle down to Caroline Wiseman’s Suffolk Arts Club at lunchtime. There’s always someone interesting to talk to there as well as a glass of wine.

None of us know what’s going to happen next, not anybody at all. I think the secret is wanting to find out.

 

 

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Getting it wrong

Ronnie Lane (centre) and the Slim Chance Band.
Ronnie Lane (centre) and the Slim Chance Band.

I always thought I should write books. Recently two people whose opinions I respect said no, you’re much better not doing that. Someone else wants me to write lyrics. I always thought I should play the guitar too. Tonight, after not the best few days I’ve ever had, I picked up my old saxophone. And no, that’s not me being rock n roll. It was made in 1924, even older than me. A bit.

I haven’t played the saxophone for months. It must be at least three months. I got it years ago, a really nice Christmas present and stopped playing it when I had four top crowns done. They grind your teeth off down to the gum and put bionic titanium ones on top of them. Now I can bite through steel hawsers. Obviously, I’m down to about ten of those a day. Just socially, you know. I could give it up any time I wanted, but I like the taste.

Good thing

So the odd thing was that not having played the sax for a while, once the reed was behaving itself it was fine. The reed is literally that, a thin strip of er, reed. You clamp it to the mouthpiece and blow through it. The whole sound depends on the reed vibrating and that depends on how hard you blow and how wet the reed is. They misbehave. They wear out. If they’re too dry they don’t make the right sound and if they get too wet they don’t either.

But when they do, when they do you just know it. You can feel it. And it felt good.

A bit of Eagles (New Kid In Town and yes, you can on a tenor sax), a rip through Dexy’s Burn It Down I really enjoyed playing. I didn’t play Kate Bush’s Saxophone Song, nor Steely Dan’s Deacon Blue. But I did play a bit of Ronnie Lane. When I was about nineteen I went up to Sheffield to see a friend of mine at university there. You know her. Fictionally, she became Liz in Not Your Heart Away. Before I had to run for the train we found Ronnie Lane’s Slim Chance album. Maybe that year, maybe the year before, she tracked him down on his farm where his touring outfit, The  Passing Show was based, as much as a passing show is based anywhere. I still have that record. The album folded open to show a picture of the band. Try that with a CD. You can see it at the top here.

Wasted time

I make mistakes. I’ve been wrong about lots of things; what to say, what to do. But there are some things I seem to do quite well and it makes me pause when I find they maybe aren’t the things I think I should do. My sax playing needs some work. But it plays better than the guitar. John Coltrane still doesn’t have anything to worry about, and nor does the guy playing sax for Ronnie. The guys in the picture don’t look rich and they weren’t. But they look as if they’ve found what they want to do and they’re doing it, as best they can. I want to get that feeling back. I always wanted to be in that picture. I  would have given anything back then to have been in that band. But Ronnie died of Multiple Sclerosis in 1997. And besides, the past is a foreign country. They do things differently there.

 

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Lifeboat Launch – Again

I did the sixth Lifeboat Party show today at Radio Castle. It’s on every Monday, noon till one and I could tell before I got there that just about everything that could go wrong was going to er, go wrong. Different studio. Different mixing desk.

Couldn’t remember the wifi password. Lead was too short to plug the laptop in. The mix was different through the headphones to the level it was at in the other studio. I’m really sorry, ok? It got better as I improvised a way around it.

But it wasn’t what it should have been. Sorry.

Good parenting

I emailed my mother about the show. We don’t talk much. There’s a reason. But I thought I’d make the effort. I’vbe got this show, I said. Here’s the link, so you can listen to it. Within the week I got a reply.

“As you know, I don’t really like that sort of music.”

I am so glad I bothered. No, really I am.

 

Listen Again. Just do it. Please.

You can listen again to all the Lifeboat Party shows here. 

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Ligging, as it used to be called

When I first went to journalism school (oh, didn’t I tell you? Why don’t you buy me a drink and I will?) we all thought we were going to be fast-tracked onto the free drinks circuit. All the movers and shakers and people who wanted to influence people were bound to want thirty 18 year olds swigging their free champagne and stuffing vol-au-vents in their pockets for supper while we practised our T-Line shorthand and forgot people’s names, starting on the fifth free champagne and an empty stomach, with our own. Bound to. Somehow the 46th Annual Bread, Cake and Confectionary Exhibition at Cardiff City Hall didn’t quite go that way and nor did I.

cardiff
Cardiff City Hall. Dropped the camera. Bit skew-whiff now. You’re my besht mate. No, really you are. You know that?

But today reminded me what ligging was really about. Not scoring free drinks and some nibbles instead of buying your own lunch, but getting your face about and keeping an ear to the ground, although now not drinking so much that you do that literally.

I was walking down the street, like you do, when I saw a friend of mine walking towards me. Where are you going? Off to a press launch. Invites only. Mind if I come? No, if you like.

It’s that simple. Like many things in life, the hardest thing is believing you can do it. And not acting the arse when you do. I met a few interesting new people. Made some contacts. They might come to something, they might do later. Might have some new guests for the Lifeboat Party radio show at www.radiocastle.com. Gave them my card (thank-you Vistaprint, £6.59 well spent) and something might come of that. Who knows?

Even if it doesn’t it reminded me of two things. More people usually want to meet you than you think. And you don’t always have to buy your own drinks.

 

 

 

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Pretzel logic

Long long ago when the world was young and me, well, I was younger too a band called Steely Dan used to play a song called Pretzel Logic in the days when bands apart from The Archies had to usually write their own songs, then play them on instruments they had to learn and then sing them themselves. I know!!! How fake is that!?!?! It’ll never catch on.

Well it did, because there wasn’t any other way of doing it.  People like Frank Sinatra never sang a darned thing they’d ever written because that’s not what they did and so far as I can guess, Elvis and Suzi Quatro didn’t either. Suzi Quattro. I mean, what? As someone who is a little over 21, each time I see this I can’t believe I saw this. It wasn’t just the obvious bra-less ness, (like OMG) or even the leather jumpsuit, or the huge hairy blokes she surrounded herself with (and apparently it was the drummer, I seem to remember, if I got that right). It wasn’t just the fact that back in ’73 this stuff went out on air live at 7:30 on a Thursday on Top of the Pops.

Suzi Quatro.  A healthy influence on fourteen year-old boys, back then. It explains a lot, doesn't it?
Suzi Quatro was considered a healthy influence on fourteen year-old boys, back then. It explains quite a lot, doesn’t it?

That’s right morality crusaders. Ever wondered why youth street crime went up? Back in the day you could leave your back door unlocked, if you’ll pardon the expression, because every malenky nadsat droog was safe at home trying to memorise every stitch in the  seams in the lingering crotch shots the BBC thought appropriate before the watershed. And there were quite a few.

Were they strange times? I don’t know. Like any time, we all thought it was normal, even when we heard stuff like Sparks singing some of the saddest songs I’ve ever heard. It wasn’t just the bloke who played the keyboards and looked a bit like Hitler, or his androgynous brother (how weird was that, man? as we said back then). It was the whole, you know. Thing. We were fourteen or something. Why did we have to deal with stuff like this? I mean, it wasn’t 1918, except for the Souix.

But then, why did we buy it?  Because we did. We all bought hugely into the whole sad song laments of Americans dragging thirty (how old? Nobody’s THAT old, man) not least because back before the whole interwebby thing and Wikipedia it wasn’t easy to find out that Ian Hunter was born in 1939.

I’m sorry, I still need to pause to let the horror of that statement go away a bit. “I got out my six string razor and hit the sky.” As we said back then, what does that even mean? Did we ever listen to the words when we heard bands like Eagles, singing coked-out dead-end laments like Desperado and Hotel California? How did that resonate with someone less than half their age, living 5,000 miles away on an estate in Trowbridge? Because it did.

Probably it meant just the same as it means now. The words change but the feeling doesn’t. Someone said to me yesterday, “you’re good with words when you speak. But when you write it down it’s shit. Sorry.” And sometimes, she’s right. I can’t catch that feeling, the way the music made us feel, the way it probably makes younger people feel now. Same things, different words. The same feeling, just a different way of saying it. I thought that as we sat on our bar stools as the music played. This hasn’t changed in three decades, for either of us.

For me, it was always Deacon Blues. Back before I had to do something about un-becoming the expanding man in the opening line (yes I did, yes you can, buy the programme…) Steely Dan’s song did it for me. It got in my head. It became my anthem. I don’t drink scotch whisky all night long. Not for years. I don’t drink drive. But I sometimes think the real thing I should do is learn to work the saxophone and play just what I feel. I’ve been called many names when I’ve lost, usually short ones but they still don’t call me Deacon Blue.  There are days, more often nights, when I wish they did. Somewhere in that parallel universe, sometimes, just sometimes when the nights are getting longer and the apple wood smoke is heavy on the ground, when the winter starts to feel its way through your clothes, somewhere they still do.

And pretzel logic? Oh, you know how that works. Or maybe you don’t, if you’re lucky. It’s late and the words make perfect sense at the time and they curl back on themselves and make their own sense, in a big circle, like one of those who was that Dutch guy who did the drawings of lizards running upstairs in a circle. You want another?  You drive here? You know how that thinking works and where it’s going, at least until you sober up.

So as The Archies used to say, pour a little sugar on it, baby. Just pour a little sugar on it. Yeah, yeah, yeah.

 

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