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{"id":1188,"date":"2014-02-25T10:15:37","date_gmt":"2014-02-25T10:15:37","guid":{"rendered":"http:\/\/writer-insighter.com\/?p=1188"},"modified":"2014-02-25T10:25:52","modified_gmt":"2014-02-25T10:25:52","slug":"these-are-the-last-things","status":"publish","type":"post","link":"https:\/\/writer-insighter.com\/these-are-the-last-things\/","title":{"rendered":"These Are The Last Things"},"content":{"rendered":"

Another day, another cheery poem. I used this to close the night at the Wenhaston Star. It did the job well. Total silence, then clapping. Which was nice.<\/p>\n

Then a bald-bloke barring my way out of the pub who wouldn’t let me go past until he’d said how much he liked it. It’s odd, I’m getting a lot of positive feedback (which I’m almost sure isn’t the kind of thing they’d say) from what look to me like the most unlikely people. Mostly with shaved heads. Mostly a lot bigger and tougher-looking than me. All of them visibly moved by my stuff, delivered by me. It’s been described rather flatteringly as raw and hypnotic. I think it’s something to do with telling honest stories about how people feel, in a way that men traditionally don’t tell them, or not in public, anyway.<\/p>\n

That’s just my theory. I might be wrong. You could discuss it with my hard-looking fans if you like, out the back of the pub. Because they liked this one.<\/p>\n

<\/h3>\n

These Are The Last Things<\/h4>\n

This house is going now,\u00a0<\/em><\/p>\n

\"Claudia<\/a>
Claudia Myatt<\/figcaption><\/figure>\n

Boxes packed, the vans booked,<\/em><\/p>\n

Exchanging soon and these,<\/em><\/p>\n

These are the last things<\/em><\/p>\n

From my garden cooking.<\/em><\/p>\n

Courgettes from the summer<\/em><\/p>\n

That we shared sitting<\/em><\/p>\n

Talking until late.<\/em><\/p>\n

Until really it was much too late<\/em><\/p>\n

For either of us to pretend,<\/em><\/p>\n

Or for you to go home again.<\/em><\/p>\n

This was my best Summer.<\/em><\/p>\n

The summer of you and your dogs.<\/em><\/p>\n

And your nose. And your voice.<\/em><\/p>\n

And your hair. And your bent toes.<\/em><\/p>\n

And just you, really. Just you.<\/em><\/p>\n

And now I don\u2019t have any of those things<\/em><\/p>\n

With me almost every day.<\/em><\/p>\n

Now I never know if, when I see you<\/em><\/p>\n

In the street you\u2019ll say hello or turn away;<\/em><\/p>\n

It\u2019s not just that it hurts me.<\/em><\/p>\n

Not just that I don\u2019t think<\/em><\/p>\n

I deserved that. I make excuses for it<\/em><\/p>\n

To my friends. It\u2019s the way you are.<\/em><\/p>\n

The way I was. <\/em><\/p>\n

You\u2019ve been through a lot, y<\/em>ou know? <\/em><\/p>\n

And yes, of course\u00a0<\/em>I talk about it. <\/em><\/p>\n

It hurts so much too much n<\/em>ot to <\/em><\/p>\n

And I find that if I don\u2019t then I cry.<\/em><\/p>\n

But often, much more often than men a<\/em>re supposed to,<\/em><\/p>\n

Alone in what will not be m<\/em>y house, <\/em><\/p>\n

I cry anyway, for losing you.<\/em><\/p>\n

In the kitchen, mostly.<\/em><\/p>\n

Near the place between the oven and the fridge<\/em><\/p>\n

Where you told me that you loved me.<\/em><\/p>\n

So these, these are the last things.<\/em><\/p>\n

 <\/p>\n

\u00a0(c) Carl Bennett 2014<\/strong><\/h6>\n

 <\/p>\n

 <\/p>\n

No, I’m fine, I’m fine. Honest.<\/p>\n

\"Share<\/a>