Customer Satisfaction

Over three weeks ago I ordered broadband from BT. More fool me. Twenty-six years ago BT was privatised, changing it from a publicly-owned monopoly. We were promised this was going to bring more competition. Better service. Trickle-down. If you see Sid, tell him.

All of it was one big con. Twenty-six years later BT is still to all intents and purposes a private monopoly. If you don’t believe that, try getting a line to your house installed by anyone else. If you live somewhere Virgin operates you might be lucky. If you live anywhere else it’s BT or nothing. But surely, the service is better?

Here’s what happened this week. When BT eventually turned up on Friday they couldn’t find out where the junction for the phone line was. Maybe it was on top of a pole. Maybe it was in a box up to two miles away. “The system’ eventually tracked it down to a box somewhere outside Such-And-Such house. Where was that then, the BT man asked?

Here’s the neat little BT logic-loop.

The only way he was able to find the BT junction box was for me to go on the web on my iPhone (O2) to get a map image of where the address was. Luckily the address was the same as a house for sale on Rightmove, so I could even give him a picture of the address he was looking for. Which was just as well because BT couldn’t or wouldn’t help him with this at all. Still, they were only going on as they started – they didn’t tell him how to find my house after I’d given them detailed instructions even down to where to park.

It’s Good To Talk

After two hours on Friday the BT man announced he’d connected it. Great! Er, no, not really. There’s something wrong with the line. Not here. Somewhere. Can’t do anything about it today. Have to log it on Monday. They’ll probably do something about it Wednesday-ish.

But no. Today at about three o’clock I got a text. The phone line is connected. It wasn’t. half an hour later I got another text. Broadband is connected. Make sure you use it, and be aware that of course (of course!) it might be slow or just stop at any time in the next three days. Oh and if it’s like really slow, do make sure you complain up to three months later, but obviously after the cancellation period.

So a pack of lies so far. I called them on the phone. It’s good to talk, Bob Hoskins used to say. Except BT don’t like talking. First they charge you to talk to them on an 0800 number. Because they can. Then a woman with a Scottish voice (which in this house hasn’t always been a mark of harmony and accord but that’s another story) asks you what you want. For example. You might say ‘I haven’t got a phone after you said I had.” And if you do say that she’s very sorry but that isn’t what she’s going to rpely to.

Will you be wanting a phone?

Aye, that’s right enough, hen.

“Well which number are yi calling aboot, ye havering English och sorry, ah fair fergot fer a mumment?”

I don’t know the number. The text said I should dial XXXX (redacted) to get the number, but the line disnae work seh ah cannet.

Och weeel, if ye don’t have a number you’ll no be having a BT connection, so talk tae yer ain provider. See you.

Three times. Then I thought maybe I could fool her. A slim chance, trying to fool a Scottish girl but worth a try. I was desperate now anyway. Maybe if I say I want a phone, that’ll dae ut right enough. Sorry. That might be the answer to this conundrum.

People Who Speak English

I get through. To a call centre. English people. Thousands of them in a tin hut, by the sound of it. “Thank-you for calling BT, the UK’s favourite broadband provider.”

Well it isn’t with me.

I can’t hear you. Is it your phone?

No, I wanted half a hundredweight of Saxon potatoes. Of course it’s my phone.

I can’t hear you. Is it your phone?

No, it’s your call centre.

Explain the problem.

Five calls. Two texts. BT don’t answer texts. Mind you, to be fair they weren’t answering calls either. They have a novel new way of dealing with complaints now. If they don’t like them they just put the phone down. Twice. Would I like to spend two more minutes on my phone bill to explain exactly how satisfied with BT I am? No, actually, thanks awfully for asking. But I do recognise a rigged customer satisfaction survey when I see one. And a third-world service basking in the cosy glow of its protected monopoly, happy in the knowledge it can do as it likes because for all the lying nonsense we were fed when a pubic company was sold off cheap to make money for the government’s chums in banks at the taxpayer’s expense, there actually isn’t any competition at all. If you see Sid, tell him.

And in a little postscript, the next day I phoned again. I got an Indian man on the end of the phone and winced, waiting for his half-English excuses. He fixed the whole problem of no phone connection courteously and politely, in fifteen minutes, most of which was me running up and down stairs. As I’d just swum a kilometre I had already got my quota of exercise for the day. That’ll make up for my birthday tomorrow then. If it works like that.

 

 

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Joseph Knecht’s Posthumous Lament

hesse
Herman Hesse. Author

No permanence is ours; we are a wave

That flows to fit whatever form it finds:

Through day or night, cathedral or the cave

We pass forever, craving form that binds.

 

Mould after mould we fill and never rest.

We find no home where joy or grief runs deep.

We move, we are the everlasting guest.

No field nor plough is ours, we do not reap.

 

What God would make of us remains unknown.

He plays; we are the clay to his desire.

Plastic and mute, we neither laugh nor groan,

He kneeds, but never gives us to the fire.

 

To stiffen into stone, to persevere!

We long forever for the right to stay.

But all that ever stays with us is fear,

And we shall never rest upon our way.

By Hermann Hesse, from Magister Ludi

 

 

 

I read this a long time ago, in a desert far away. I was about Ben’s age in Not Your Heart Away.  A girl sat on an abandoned tractor one night with the wind blowing her hair while I read the poem aloud from the book she carried. Those sentences tell you probably all you need to know about who we were, then. The feeling’s stayed with me ever since, inside me head. Not that one, the one that took us out to the abandoned tractor to talk, as people used to say (‘let’s go somewhere we can talk…’) but the book thing, the stage-prop, the lever, the excuse, the poem, that’s stayed with me.

Walking with blue

Rudolf Hess. Nutter.
Rudolf Hess. Nutter. Do not confuse the two.

 

I’ve spent the day going through old notebooks, trying to write songs, remembering old dreams. And then I found this. It should not have become my song, the song of my life or if it had to not then, when I was nineteen. There might be a time for this in people’s lives, maybe particularly if they’re German. If you’ve lost a world war or two. If you’ve got one too many duelling scars from Heidelberg. If you’re a short dark painter who can’t paint very well and live in a bedsit with people like Christopher Isherwood flitting about. But not when you’re a teenage British kid into Magazine and Kate Bush, wearing black cords and red Kickers, just off to university. What was wrong with me? What, you know, was it?

I, like, didn’t know who I was. Well, big news. I still don’t. A bit more, a bit more than then perhaps. But as the other bladerunner said at the end of the film, the one who wasn’t Harrison Ford, the one who hadn’t fallen in love with a mechanical blow-up doll, the one who’d found out they were programmed to fall to bits in a couple of years because it was all too much for them, then again, who does?

I’ve never felt I had a home, more than for about an hour or two. People have tried to make me feel that, truly tried, but it didn’t stick. Or maybe I didn’t stick. It’s not a big noble born under a wandering star thing, just this no permanence is mine thing. I’d like it to be. I don’t think it’s going to happen now.

Years ago there was a film. Bob Hoskins, the Singing Detective, the uber-geezer in The Long Good Friday, the friendly bloke from the BT ads who told us it was good to talk fell into a cartoon as a 1940s gum-shoe, a private eye trying to find-out Who Framed Roger Rabbit. Prime suspect was Jessica Rabbit, a smouldering torch singer with a figure to die for and Bob thought Roger probably had. She was trouble. You could see that a mile away. A voice that would smoke tarmac when she said: “I’m not really bad. I’m just … drawn that way.” That was me.

"I'm not bad. I'm just....drawn that way."
“I’m not bad. I’m just….drawn that way.”

Not Jessica Rabbit, you understand. I’ve never poured myself into a ball gown. Poured people out of them, but that’s a different thing altogether. (“That’s a different thing.” Thank-you.)

But that thing, the longing forever for the right to stay. I know that feeling. It has nothing to do with mortgages or arrears or where you live or passports or visas. People like us now, we do so many different things. You can call it a portfolio career if it helps. I’ve cooked crepes, shot things, explained things, found things, made things, written things and yes, I crave a form that binds, a certainty, a constancy. And at the same time I avoid it as if it was contagion incarnate, as if it burned my eyes.

I should never have found this poem. I should never have found this poem again. But it didn’t change my life. It just articulated some of it.

 

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On the radio

clouds2

 

Well, that was the second Lifeboat Party show at www.radiocastle.com I did on Monday. The general consensus is still camp, but slicker.

You can listen to it again wherever you are in the world by just clicking here and judge for yourselves. I got my very most favourite fan laughing even though I didn’t get the thing in about the Suffolk Space Programme.

That aluminium silo on that farm outside Wickham Market? Oh come on!! You didn’t think that was farm stuff did you? It’s for an ICBM the Americans left when they abandoned Bentwaters airbase in 1992. We’ve used it to put farmers into space out here for the last 15 years, after we worked out how to turn the methane in battery chicken poo into rocket fuel. Townies. They don’t know nuffin…

 

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Mists and mellow

Early September, the fruiting time, with plum juice and warmth and wasps in the air, when you know the summer is fading and the cold is coming. You can smell it in the air in the evening, in the morning now too. And think of times colder. Cold is different wherever you go. I remember the white cold of Norway that March I went there, rivers still hidden under feet of snow that lay on the ice., all the contours of the earth smooth and flowing. The other cold I found there too, when I went out without a hat and got caught in the rain, so cold it made me think  I might die.

And the cold of the West Country, those mornings when I was young and we had no heat in the house until the fire was lit, apart from the choking paraffin heater at the bottom of the stairs that sent fumes into my room while I was asleep; a sort throat from November to March. Ice ferns on the windows inside, astonishing skies orange and yellow and pale blue with no clouds, as if all of Wiltshire was flying through space, so high above the earth in my council house bedroom, the concrete tiled rooftops, the sodium streetlights. My crystal radio with its wire loop of aerial strung around the front door porch. I haven’t felt that cold since then, since I left the place where I came from.

A different kind of cold out here in the East. A sadder one as the year spins into its last part, towards the long night. And one where now the summer is over the people have gone back to their real lives, leaving this pretend holiday place still bathing in the cooling waters of the retirees mantra: ‘it’s always been like this,’ as if a place was ever built where six out of ten houses are lived in only now and then.

I dreamed a mouse was trapped in the bin where I keep the chicken’s corn. In my dream I tip the bin slowly so the little mouse can escape. Yellow and orange mist as I leave the house this morning. Figs from the tree I planted half a decade ago this sweet Autumn. There are much worse times than these.

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Every picture tells a story

The picture at the top of this blog has attracted some comments over the months it’s been up. Where is it? Haunting. Beautiful.

Southwold

It was taken near the harbour mouth at Southwold either late in 2012 or early, very early, this year, 2013, on an iPhone, looking north, towards the pier. It had been raining heavily and there’d been a storm so there was a shallow lagoon on the beach, the water in the photo. I haven’t been there many times since.

By chance

Someone was walking along to give the shot some depth and perspective.  I don’t know who. I never shall.

Would it have been a better picture without anyone in it? I think the person locates it, gives it something that however beautiful and haunting that place is, would have been totally lacking without that one single, apparently insignificant person.

Because that’s the thing about insignificant people. They aren’t. Nobody is.

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Radio Days

About a thousand years ago, or in the 1980s which sometimes feels like much the same thing,  there was a superb show on the radio called A Prairie Home Companion. Way back when jihad was just something the Dukes of Hazzard used to say I travelled around the prairie, and that ain’t no lie. I got caught in a prairie lightning storm outside Colby, Kansas, sleeping in my old Chevrolet while I went to hunt Hunter Thompson, but that’s a whole other story. The whole point of the Prairie Home Companion is that nothing much happens on it, which is much the same as what happens on the prairie and if you think it’s easy to make that sound realistic on the radio, think again.

Lifeboat Party

It was my first live radio show today. The Lifeboat Party went out on www.Radio Castle.com at noon. Come February it’s going on old fashioned radio as well as out as a web broadcast, so I can really put the F in FM.

So today I’d cycled out to the auctions at half past nine to see what was happening, see whether my friend with the live milk farm was there (she was), see if there were any bicycles I could buy and sell on eBay to Japan (there weren’t, but it did happen once) and to see if friends from the village really were going to buy some chickens at the livestock auction.

Tracks Of My Tears

Well, they meant to. It’s about comfort zones. What you’re used to. The bidding started on a cardboard box containing four Light Sussex chicks. Hardly anyone bid. They went for £2. No, all four for £2. The person I knew was going to bid on some hens. He’s got a sensible, responsible job where he needs to keep control of a lot of different things going off at the same time. And he froze, bidding on a chicken.

When I cycled on to Framlingham my show was about the same. The first ten minutes were fine. My guest came in and if I got the name of her company wrong it was sort-of ok. It was after that, when the mixing deck froze so I could only play CDs and I couldn’t remember which CD was in which rack and …..

And.

Looking Counter Clockwise

Ok. Nobody in Suffolk would know the difference between the Gotan Project and Federico Aubelle at noon on a back-to-school Monday anyway. But I do. And I need to do it better next time. Rabbit in headlights. Moth to a flame. You know, I’d sell my soul for total control.

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Real life

The trouble with life is all the stuff that goes with it. Household repairs. Irritating, upsetting, unsettling letters saying you have to do someone else’s job for them to sort out a mess they’ve made on the basis of their assumptions and if you don’t it’s your fault and no, don’t ever ring them again because they aren’t going to answer the phone. And that’s just the tax office.

It gets in the way. I haven’t written anything for weeks. It’s making me wonder who I am. Was the book any good? I was told the other day it was boring.

‘But you said it was well-written?’

‘Yes. It is. But it’s boring. Nothing happens.’

And then you’re straight into I don’t think that’s true and it’s not supposed to be an action-thriller and sometimes stuff happens when things don’t actually happen and I’m not walking out on you I’m just going for a cigarette and would you like a drink when you get back. All that stuff.

And getting my first radio show ever in the world and learning to work the decks (I know. Get me. And my posse, as I believe it’s called). And going for interviews to start a training course and finding I liked the one I didn’t expect to like much more than the other one, which is much better in some ways and has a better reputation but also has a much higher commuting bill attached to it.

And going to a wedding. I’ve never met the bride. I last saw the groom five years ago or thereabouts. He was something to do with a tango show in Yeovil. A girl I had one date with 15 years before was there. I didn’t recognise her now she was 40 and dressed in weird woolen clothes of a style I’d only seen in Miss Marple films. Odd.

So all of that stuff and other things and the end of summer and what to wear to this wedding which isn’t in a church. It might have been better if I hadn’t picked up the shirt I was going to wear just after I’d fixed an old bicycle I was out riding this morning.

It’s still sunny, just cool enough to make cycling brilliant. The roads were empty, this rural Saturday. A peaceful, calm morning and the promise of better weather to come. I hope the wedding is the same.

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Welcome to The Forgotten Works.

See what I did there? For reasons that were never explained, as Hunter Thompson used to say before he shot himself, I seem to have a radio show going on air very soon. It’s going to be on Radio Castle.

I’m going to learn how to work the machines on Friday. Frankly, I’m scared.

It’s Dee Time

Heeeeeere's Simon Dee!
Heeeeeere’s Simon Dee!

For about ooh, most of my life I’ve wanted a radio show. I could be cool and witty and sort of like a cross between Simon Dee and Alistair Cooke. Except funnier, obviously. And please no-one say about as cool as Austin Powers. I’ve always liked him but it seems to be a singular taste.

The thing is, now it’s happened I can’t think of a single interesting thing to say. Obviously there are legions of more or less bitter women who’d say that’s not a new thing at all but it’s a real issue for me now, at least.

I’m going with an hour-long magazine format and maybe you can begin to see the problem. When you’re sitting talking to someone you can chat about all kinds of things, get up, sit down, make a cup of tea, wonder about going out later, talk about a film they saw, debate whether sardines on toast are ethically caught (yes, no-one seems too worried about sardines on toast, do they? No Greenpeace campaign I’ve ever seen about that. Oh no!). And like most things worth doing in life, it depends on another person being there. It’s a conversation. A two-way thing.

And sitting in a room on your own with a microphone isn’t. I can get some guests in, but probably logistically, only really one per programme. So it’s me. On my own. And I can’t think of anything I want to talk about.

I tried scripting it yesterday. It was a rubbish day yesterday and it got more rubbish as the day went on until it peaked at the very rubbishy summit of an incredible mountain of rubbish that’s left me feeling rubbish. But hey listeners, enough about me. Otherwise I’ll sound like Tony Blackburn.

Richard Brautigan

In Watermelon Sugar
In Watermelon Sugar

It’ll be ok. The radio thing, anyway. It’s called the Forgotten Works because of the utterly wonderful book In Watermelon Sugar, which I naturally enough can’t find now I need it.

The Forgotten Works was the opposite of the green, self-sustaining rural paradise where the nameless hero of the book lived, lit by lamps fuelled by watermelon oil, eating trout and avoiding the tigers who ate his parents. As they said, they’re tigers. That’s what they do.

It was a magical book by Richard Brautigan, another American writer who killed himself. I read it when I was seventeen and like any book then if it was half-way well written, it’s stuck with me. Those ten years have just flown past, really.

There was a time when everyone you wanted to know wanted to look like this. I sort of still do.
There was a time when everyone you wanted to know wanted to look like this. I sort of still do.

He wrote Trout Fishing In America, which is only a bit about trout fishing in America, Willard and the Bowling Trophies, which really sort of is, which is easier to understand when you realise Willard is a stuffed bird on a mantelpiece and A Confederate General In Big Sur. Where oddly enough, Hunter Thompson also lived at one time.

I just read the end of the piece in the Daily Mail about Simon Dee, which isn’t something I often say.

Although he had been married three times, and had four children and four grandchildren, Patricia Houlihan believes the last years of his life were very lonely. He continued to pursue women, that was in his DNA, but he became increasingly reclusive and eventually left London for Hampshire. 

‘He would often call me for phone numbers of people he knew a long time ago, some of them now dead – he continued to treat me as his PA. It never occurred to him that life had moved on.’

It isn’t looking that promising, is it?

 

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No Batteries Required

Back in November I was sitting in a cosy pub with a man called The Sausage King.

Ooo no missus, don’t, as Frankie Howerd would have said. frankie

He runs a radio show called The Foodie Fix on Radio Castle.  Not Frankie Howerd, obviously. Try to keep up. Towards the end of the second pint at The Crown I did one of the stupid things I do; came up with a brilliant, compelling, original idea that I then have to turn into a brilliant, compelling, original actual thing, which is usually a bit more difficult than sitting having a pint and a smart mouth.

So, wouldn’t it be really funny if this bankrupt chicken farmer – I worked on a chicken farm when I was 14 you know. All my clothes smelled. I even put a reference to it in Not Your Heart Away. Did I tell you about that? It’s brilliant. Getting some really nice reviews. Anyway – who blames Hugh Fearnley-Whittingstall for the EU battery cage ban that came in on January 1st 2012. Only for laying hens. You can keep broilers for food in them, no problems.

Obviously we can’t call him Hugh Fearnley-Whittingstall but he’s got to be the same, fearfully earnest, heart in the right place and no clue how or why the chicken farmer should be so murderously furious with him. Because what the chicken farmer wants to do is make Hugh recant, live on air on his TV show. Then kill him ditto.

Swing, swing together

But it’s not as simple as that, given that in this egalitarian age where Old Etonians piously proclaim equality of opportunity most of the Cabinet and media are in one way or another related to each other by not very many separations at all (Cameron was at school with Bojo and Hugh, Kirsty’s cousin is Cath Kidston, Kirsty clawed her way up through the Christie’s stockroom where her father only coincidentally happened to be the chairman and she really was rumoured to be in line for a place in the Cabinet before the election (word on the street was she turned it down, you hear what I’m sayin’?), as Huggy Bear used to put it).

You dig what amsayin?
You dig what amsayin?

So Cameron is a bit sensitive ( like rarely, who knew?) about this out-of touch thing people keep saying, so he’s going to get loads of ordinary people in the Cabinet. People like Kirsty, who makes things and talks about houses, so she can have Housing. Clarkson, who practically lives next door, who can have Transport, or if Bernie Ecclestone wants that instead then Clarkson will just have to be Foreign Minister with an open remit. And Hugh, well, Hugh can be head of the Ministry of Food.

Cameron jumps in his ordinary chauffeur-driven police-escorted limo and sets off down the M3, just like anybody else. And arrives just in time to be held hostage by the bankrupt chicken farmer.

Brilliant, eh? Maybe another pint.

Coming soon

So than I had to write it. I got the first scene of the five down and got totally stuck for three months. I couldn’t finish it until one day when the rest just flowed out. I got the other four down in two days. It runs just on the half-hour, deliberately. Not many sound-effects, not too many voices at the same time.

And it seems, on RadioCastle soon. I’ll tell you when it’s on. So far my actress casting sessions don’t seem to be as well attended as I’d hoped. I bumped into Clive Merrison the other night who I sort-of know, going into a different pub, but somehow he hasn’t taken me up on the offer of either the Prime Minister or Pew Farley-Totherstall. Odd.

 

 

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Food, fashion and fetishism

Infantilising foods

Heston Blumenthal seems to have taken over the Waitrose magazine for reasons that were never made clear, as Hunter Thompson used to say. Presenting himself as the wacky scientist chef with the James Bond villain name, the man whose restaurant mysteriously wasn’t closed down when he poisoned scores of people with oysters that were way past being a bit iffy feels it’s his duty to tell us all about the food Waitrose can sell us.

As recipes go they’re admirably simple. Sometimes they’re so simple you could get the impression you might have had when you were about seven years old, that putting toast on a plate was making breakfast or that opening a tin of baked beans was making dinner. Most of them are tweely ‘Heston’s’; as in Heston’s ultimate cheeseburger.

Never mind that it sounds exactly like those people you shared with at uni who used a chinagraph pencil to mark the level on their milk bottles and biroed their initials on sausages. But life turned out ok. I topped up the milk bottle with water. I passed it myself.

Cheese slices

To make the cheese slices, mix the cheese, Worcestershire sauce, English mustard, cornflour, yeast and Marmite. Place in the fridge for 2 hours.

Sorry? To make cheese I put cheese in the fridge? And why isn’t there anything about slicing it? How do I do that without instructions, exactly? Is this supposed to be a recipe or what? And breathe. And look at another recipe.

Salmon dip

(Please note, Heston’s waaaaaay too funky to use a capital at the start of each word. If you’ll pardon the expression. Funky means ‘smelling of sex.’ I always think unencumbered it’s a bit like marzipan, (me and the writer of The English Patient too if you remember the scene at the Christmas party. In the film, obviously) but not something I’d want to be aware of in a commercial kitchen where my dinner is being prepared by several people I haven’t even met.

Funky fishy stuff

By combining two forms of salmon – chargrilled and tea-smoked – you get a variety of texture.

From the wild rushing rivers of Alaska to the reaches of the Clyde and the Tay, the fjords of Norway and the Arctic tundra, salmon fishers the world over quest for the wily tea-smoked salmon. There are two forms of brown trout, which are much more interesting. The normal ones, that eat insects and larvae and grow to no more than about a foot long for a really big one. Then there are the weird, strange ones, the were-trout, the ferox that lives up to its name, brown trout that have gone cannibal and grown ten times heavier than they might have expected to when they hatched. Weirder still, absolutely no-one knows why they do that, if and when they do. There are also two forms of salmon, almost as Heston says, but he doesn’t seem to want to talk about them at all. There are wild salmon, traditionally in the UK bright pink and eaten from tins. And there are farmed salmon, which get subsidies to provide a handful of jobs in Scotland, where they have to be force-fed chemicals to stop them dying from infections caused by sea-lice eating them alive while their droppings poison the sea-bed under and downstream of their cages. Because they can’t swim far they’ve got no muscle tone so their flesh doesn’t have much texture and because they don’t get much exercise their flesh also has to be dyed to make it the colour people expect of their smoked salmon. Still, if you want this ersatz copy of the good life at £2.99 for 200g then the 27-odd industrial chemicals involved in getting it onto your plate probably doesn’t matter. Certainly Heston can’t be bothered to mention it.

But then, texture, like production and provenance seems to be something else that’s all a bit desperately un-hip and boring. The people Heston’s aiming Pork shoulder sliders at seem to think so, anyway.

Sliders are so-called because they slide down easy.

Let’s ignore the hyphen which seems to imply that they’re not called that at all. Let’s ignore the chummy anti-elitist illiteracy of using easy instead of easily. Heston, you absolute dude. Instead, let’s think about the virtues of food you don’t even have to chew. Yum.

Of course, if you don’t chew your teeth will fall out sooner than they might otherwise and equally of course, you’ll eat far more of this stuff because without chewing you by-pass the bio-feedback loop created over millions of years to tell you you’re full. Oh and you won’t produce saliva the way you’re supposed to, so you won’t digest it properly, you won’t feel great and you’ll get fat.

But so what? Who, frankly, cares? Obviously not Heston. Because food isn’t an integral part of your life that really matters and without it you’ll die and with the wrong foods you’ll die in considerable discomfort. Debatably worse, you’ll look as if you have as well.

 

Gin

Gin with grapefruit and ginger beer. This drink is packed full of aromatics. Yes. It’s called gin. That’s what gin is.

 Spit-roasting

Spit-roasted pineapple – no, I’m not even going to go there.

But I’m a square. Food is fun. Food is wacky. Food is a zillion photos of a bald bloke fiddling with his glasses and a Bunsen burner. Food is 529 people projectile vomiting and involuntarily re-decorating their bathrooms when luckily there’s no breach of food hygiene regulations. It’s nothing to do with where it came from or how it got to your plate or what it’s going to do to you. None of that matters at all.

And finally

And on page 13, Heart disease might be scary.*

Who knew? Depressingly, I didn’t even make that up. Food as fetishism I can cope with; at least fetishism takes things seriously. Food as faddish infantilism mocks the animals that provided it and the people who eat it.

 

 

* p13 Waitrose magazine 1st August.

 

 

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