The problem is, I don’t know what to call it. Except that’s not the only problem.
I started it ten years ago. And five years ago. And two years ago and again last year, this year, as it’s not quite the end of this one, but there’s a thing I do at the end of the year that I’ve done for a long time now. I drive to a field where once there were 3,500 people, every one of them younger than I am now, some of them a third my age and younger.
I get out of my car and read their names off the stones that record them. Sometimes it’s been in this thin winter daylight, more often I only remember at the last moment and the field is in the wrong direction and it’s Christmas and there’s stuff to do and anywya, usually it’s raining.
I go to this field anyway and read their names out loud. So that they aren’t forgotten at the side of this road that used to be their perimeter track, that ran around the ends of the three runways that used to be here. It takes a while to read the eighty-two names written on these stones and get the names right, most of them Anglo, but a lot of them Hispanic, a few more of them German, here on these stones at the edge of an American airfield, in the rain, somewhere in Suffolk.
So maybe this year will be the year I finally write it, if I can, and tell the story of how the eighty-third name, the one not written on these stones, the one I have to add now because he went to join the others gone before, missed his transport back from a dance and had to walk back to base, all twenty-two miles from Ipswich, along roads that don’t exist now, past houses that didn’t exist then. Tracing the route has been difficult, not least as maps back then didn’t show airfields, and didn’t for a long time after the war. I think I know the way now. I’ve walked half of it, albeit in two stages, Ipswich to Woodbridge, then later, Woodbridge to Glemham the old way, through Melton and Wickham Market, the way the road ran then. Maybe this year. Because I said I would.
If you’ve ever shot clay pigeons you’ll know that because they’re moving, and some distance away from you, you have to shoot not where they are, but where they’re going to be. If you haven’t then given the hysteria around shooting I’d better explain that a clay pigeon is a flat disc of er, clay, thrown into the air by a launching machine. It’s supposed to be similar to shooting pigeons or pheasants or grouse but I’ve never had any interest in shooting anything living, so I don’t know. Clay pigeons don’t taste so good, I do know.
Back when the world was young I had a friend called Simon. He was an Old Etonian to whomlife hadn’t been altogether kind; I met him when we both worked, if that’s not too strong a word for it, taking people out to lunch in London and trying to get them to buy market research reports of varying degrees of antiquity. He had a fairly dreadful girlfriend about whom possibly more but as the poet said, the past is a different country and they do things differently there. She certainly did, anyway. Simon, my girlfriend at the time and I decided one day that we’d all appreciate a day at a country show, so after about two hours of driving that’s where we ended-up. It wasn’t the Royal Show and I can’t exactly remember where it was, other than Aylesbury and keep on going for at least an hour. I remember it was a blisteringly hot day and I’d been forbidden to buy anything after I’d come back from the Badminton Horse Trials with white moleskin jeans and WM Williams jodphur boots on my credit card. Both of which would have been fine if I’d been tying kangaroos down, or waiting for my billy to boil, but living in Kings Langley such opportunities were rare. Although I did find a white wallaby within walking distance, somewhat to my surprise.
Simon and I both shot. Him because an ancestor once held William the Conqueror’s horse for ten minutes and got given half of Oundle or somewhere as thanks and that’s what you pretty much have to do with a country seat; me because I’d learned how to shoot at a school that most definitely wasn’t Eton and I was good enough at it to win my Marksman badge at Bisley at the age of fifteen and a couple of cups and things for clay pigeon shooting. Back then I had an old but nice Aya Number 4, a light side-by-side 12-bore which was a good working farm gun if not very smart, and a Winchester Super Trap, which was a heavy, nicely-made American over and under specifically built for shooting clay pigeons.
I didn’t have either of them with me that day, although back then people took their own shotguns to country shows to compete in clay pigeon events, either for the prizes, to swank about in the pub afterwards or again, because back then, that’s what you did in the countryside.
To be clear, competition shooting is nothing to do with killing anything except clays or pieces of paper. It’s about competing, in something that has an immediate result, which is what I like and liked about it, then and now. You hit the target or you don’t, and try as you might, 95% of the time you’ve got nobody to blame except yourself if you don’t. It’s about control, calculation and calmness, almost like a Zen thing and on those perfect days, when you’re balanced and centred and it’s going right you don’t need to see the target to know you hit it exactly where you wanted to. You can sense it. You feel it. And somehow the feeling is almost always right.
Simon and I weren’t looking for a fight, or a challenge, nor anything else, but while we were looking at the laser shoot some farm boys heard our accents, which back then were a bit full-on Lots Road Bray, yah? As we, and most of the girls we were interested in used to say far too often, even on holiday in France, where they assumed I was German.
Rarely! SAY funny, yah?
Rarely funny or not, the farm boys quite reasonably assumed that city boys with that sort of voice might talk a good game but probably couldn’t shoot as well as them. So we all had to find out.
Simon and I were one team, the two farm boys on the other. We didn’t put money on it, but it was probably the most seriously competitive shooting I’ve ever been involved in, Bisley included. It wasn’t about money, because there wasn’t any involved. It was more being thought to be rubbish at something I knew I wasn’t rubbish at. Whether or not that was a family hangover I’m not getting into here, but I think it was the same for Simon too. The five years leading up to that had given him a bit of a kicking too.
Challenge accepted, the thing was these were laser shotguns. Real shotguns, but they weren’t firing cartridges. When you pulled the trigger nothing came out of the barrel except a laserbeam. Whether the clays were normal clays or not I don’t know, but a buzzer sounded to show if you’d hit the clay with the laserbeam or not. An instant result. And that was pretty much the acclimatisation problem too. Laser beams are just light. Light travels at 983,571,056 feet per second. Ask Einstein. Pellets in Number 7 shot, a normal clay pigeon load, travel at 1,200 feet per second. I’d say you can see the difference, but you can’t. At about 100 feet away and 50 or 60 feet in the air a high clay crossing right to left would need maybe the width of two imaginary fingers to the right, between the muzzle and the clay. You have add some lead, (no, not as in Led Zeppelin, lead, as in the blind leading the blind, although hopefully not with shotguns) which means shoot where the clay is going to be, not where it is. The cluster of shot is going to take some time, albeit fractions of a second, to get to where the clay is and by the time it does, it isn’t. With light, no lead. The virtual shot is travelling at the speed of light. You still have to swing the gun onto the target and follow it. You still have to judge the clay’s trajectory. You still have to anticipate where it’s going to be. But no lead.
It was a long challenge. There were never more than two clays in it. We lead, then the farm boys did, then we got it back, then it was level. I think in the end we won, Simon and I, but not by more than one clay out of fifty. Every one of the four of us had learned something by the time we all shook hands. Shooting teaches you about yourself. It certainly teaches you about patience and self-control, anticipation and precision and planning.
Once upon a time in a land long ago my father told a lot of lies. One of them was that he wasn’t married when he met my mother, which caused a series of complications but wasn’t extraordinarily uncommon after what when I was a boy was called The War. Another was that his mother was dead and that he had no brothers or sisters, which was why they weren’t at the wedding with my mother. That wasn’t true.
In fact, there were five other brothers and sisters, not none. Thomas, Dora, Alfred, Phylis and Hilda, one of whom lived a full 30 years after the 1957 wedding to my mother, dying a decade after she re-married more happily. Another lie was that my father was born in 1918 in Australia. He wasn’t. He was born in 1920 in what’s now known as St Mary Cray, in Kent.
For years I just assumed that if you’re a bigamist then yes, telling lies would be pretty much part of the job description, but by accident I’ve recently found another reason he would have had for lying. It would also account for his Daily Express snobbery and also his derision towards manual labour, although as I’ve found out, possibly that didn’t stem from some inate gentility but came from another reason altogether.
His mother, Kate Ramsey I found through Ancestry.com, bless it, came from Mitcham in Surrey. So did a lot of other gypsies. The line about the grandmother comes from the old song, the one about the raggle-taggle gypsies o! It’s about a woman who runs off with the Rom and the oddness of the line is thought to be a mishearing of ‘they cast their glamour over her.’ A glamour was a spell. That’s what we’re like, us quarter-Romany. Buy me lucky heather deary, or I’ll put a quarter of a curse on you.
I didn’t know any of this. I’ve taught Romany children after they were withdrawn from school because they were being bullied. They were some of the nicest, most eager learners I’ve ever taught and their parents were certainly some of the most hospitable, not to mention some of the cleanest people I’ve met in my life. And the Romany link explains two things that have puzzled me for decades. Every summer I get brown quickly, which isn’t much of a big deal, but I do.
Odder than that was something a doctor wondered about years ago. He asked me if I had any black ancestors. I told him that so far as I knew all my ancestors were boringly peasanty village folk from Kent and Somerset, not a black face among them. Well, you don’t get scarring like this without it, the doc told me. It’s there somewhere. Turns out they do actually know stuff at medical school.
Back about ooooh, twenty years ago, when I still thought Wired magazine and Herman Miller chairs were the future, back when I invented a software app that went some of the way to IPO and millions of pounds before it just didn’t, I thought I’d waxed my circuit board and was pretty much up riding the back of Toffler’s Third Wave. I took time out from planning what pantone shade of black my putative Porsche was going to be to talk about Early Adopters and sine wave curves, read books about Chaos theory, thought Philippe Stark was probably about the best motorcycle designer ever and went to conferences in Amsterdam where people actually took my stuff seriously (the stuff I said, I mean, not (ahem..) mirrored-bedroom client-entertainment low-jinks in five-star hotels, which is a whole other story) and spent hours each day wondering how much of an early adopter I was cut out to be.
I wasn’t quite dumb enough to spend £600+ on a Herman Miller chair – not before the IPO anyway – but I ended up with one after giving the guys at the local dump £5 for them to look the other way while I climbed into their aluminium recycling skip to haul out the couldn’t-really-be-but-actually-unbelievably-was stupid chair that I couldn’t admit for years actually gave me a bit of a backache instead of preventing one. The Salli stool I spent about £400 on did, but that had its own drawbacks, notably that you couldn’t lean back in it if you had a hangover, back when hangovers were a regular thing. Glory days, as Bruce Springsteen told m-m-m-my generation.
All of which is how today I gave ChatGPT a go. If you’re a journalist, a teacher, a student, anyone writing pretty much anything, you ought to give it a go. Because it’s going to put you out of a job unless you’re a student, in which case it’s going to make you think you deserve better marks, but everyone else is going to be using it as well, so you won’t get them. It’s Artificial Intelligence and no, apart from it probably looks around the internet a bit somewhat faster than I do when I get home, I don’t know how it works. It just does. You type in a question and it writes you the answer. If you’re not entirely stupid writing an essay you’ll paraphrase bits of it, but essentially it does all the work for you. In seconds. If you write and you’re not scared yet, you should be.
To start with, I asked the chatbot an easy one: Who was Biggles? I got this:
Biggles is a fictional character who appeared in a series of adventure novels written by W. E. Johns. The character of Biggles is a pilot and adventurer who works for the fictional air police of the Royal Air Force (RAF).
The first Biggles story was published in 1932, and the series continued to be popular throughout the 20th century. The character of Biggles was depicted as a hero, and he was often portrayed as being resourceful, brave, and quick-thinking in the face of danger.
The Biggles stories were popular with both children and adults, and they were especially popular during World War II, when the stories helped to boost morale and inspire a sense of patriotism. The character of Biggles has since become an icon of British popular culture, and the books have been translated into many languages and adapted for film, television, and radio.
I thought I’d see if the chatbot shared some of the outrage that stirred some of the more idiotic debate at Bath University when Thomas Dolby was a thing and asked why Biggles had been accused of racism. ChatAG didn’t even pause to raise an eyebrow and suck pensively on its metaphorical meerschaum before it told me:
The character of Biggles has been accused of racism due to the portrayal of certain characters and situations in the books. The accusations mainly stem from the fact that the Biggles books were written in the early to mid-20th century, a time when racist attitudes were more prevalent in British society.
Some critics have pointed out that in some of the early Biggles stories, the characters of non-white races are often portrayed in a negative light, as being primitive, backward, or dishonest. In some cases, non-white characters are depicted as being subservient to white characters.
In addition, some of the language used in the books is considered to be racially insensitive by modern standards. For example, the books use terms such as “n*****” and “w*g” which are now considered to be highly offensive.
It is worth noting, however, that while some elements of the Biggles stories may be considered racist by modern standards, it is important to view them in their historical context. The books were written at a time when attitudes towards race were different than they are today, and it is important to recognize that the books reflect the cultural attitudes of their time.
I thought I’d read a lot of Biggles but I don’t remember any N-words, notwithstanding that now the New Issues Group of distinctly Anglo peers in the House of Lords think it’s an absolute hoot to call themselves that. What larks.
I’ve shot since I was fourteen and back at university the only reading material you could find was American police manuals, which seemed obsessed by that thayar furrin 9mm round replacing the Gahd, Mom n’Apple Pie-endorsed .45 Colt Automatic Pistol cartridge which was dang sure good enough for Sergeant York. Even more sacrilegious, the US military dropped the Colt 1911A1 pistol designed by John Browning and made in Murca and for reasons that Hunter Thompson would have agreed were never made clear, bought hundreds of thousands of 9mm Beretta pistols instead. From Italy. Remembering all this dim and fairly dull history I asked the chatbot whether the .45ACP round was more effective than 9x19mm Luger cartridges. I thought I’d give it the opportunity to do some heavy technical research for me.
In well under thirty seconds it did, telling me:
The effectiveness of a handgun cartridge is a topic of ongoing debate among firearms enthusiasts and professionals. The .45 ACP (Automatic Colt Pistol) and 9x19mm Luger (also known as 9mm) are two popular cartridges used in handguns, and both have their strengths and weaknesses.
The .45 ACP cartridge is generally considered to be more powerful than the 9mm cartridge. The .45 ACP cartridge is a larger, heavier bullet that travels at a slower velocity than the 9mm bullet. The .45 ACP cartridge also has a larger diameter than the 9mm cartridge, which can result in a larger wound channel.
However, the 9mm cartridge has several advantages over the .45 ACP cartridge. The 9mm cartridge is generally lighter and has less recoil than the .45 ACP cartridge, making it easier to shoot accurately and quickly. The 9mm cartridge also has a higher capacity, which can be an advantage in self-defense situations where multiple rounds may be necessary.
Ultimately, the effectiveness of a handgun cartridge depends on a variety of factors, including bullet design, velocity, and shot placement. Both the .45 ACP and 9mm cartridges are capable of stopping a threat with proper shot placement, and the choice between the two is largely a matter of personal preference and situational considerations.
I hadn’t expected ChatGPT to look me in the eye and snarl “aim it straight and it don’t matter, dummy.”
As a more erudite version of conversations on Heytesbury Number Two Battle Range that’s not bad. I thought I’d delve a little deeper into history, at least my own, and try out an A-Level Eng. Lit. Fav: The character of Iago in Shakespeare’s Othelo has been described as being driven by ‘motiveless malignity.’ What motives did Iago have for his behaviour?
ChatGPT had this one down in seconds:
The character of Iago in Shakespeare’s Othello is often described as being driven by “motiveless malignity” because his motivations for his actions are not entirely clear. However, there are several factors that may have contributed to Iago’s behavior:
Resentment towards Othello: Iago is passed over for promotion by Othello, who chooses Cassio as his lieutenant instead. This seems to be a major source of Iago’s resentment towards Othello.
Desire for revenge: Iago may also be motivated by a desire for revenge against Othello, who has married Desdemona, a woman Iago has feelings for. Iago is also upset that Cassio has been chosen over him, and he may want to get revenge against Cassio as well.
Jealousy: Iago is jealous of Cassio’s position as lieutenant and may be jealous of Othello’s relationship with Desdemona.
Racial prejudice: Iago is often seen as being racially prejudiced against Othello, who is a black man. This prejudice may be a factor in Iago’s actions.
Psychopathy: Some scholars have suggested that Iago’s behavior may be the result of psychopathy, or a lack of empathy and conscience.
Ultimately, Iago’s motivations are complex and multifaceted, and it is difficult to pinpoint any one factor as the sole cause of his behavior.
Frankly, I’d have expected the attribution of the motiveless quote to Samuel Johnson, the bane of my Sixth Form existence. Actually, not seeing anywhere near enough of the skin of one of the Lower Sixth girls was the bane of that, but that’s neither here nor sadly, there. But not bad for the bones of a decent Tuesday night essay, I’d say. You’d need more, so I thought I’d try another old favourite. My English teacher seemed convinced Shakespeare had never been anywhere near Italy because of the “yon marble skies” line one of his characters recalled seeing in dear old Venice, saying that Venice means Italy means sunny as a man who had very obviously never been to Isola d’Ischia in January and fervently wished he’d brought an umbrella. I asked the bot what evidence there was to suggest Shakespeare actually had gone to the land of carb overload. It told me what there was:
There is some evidence to suggest that Shakespeare visited Italy, although it is not conclusive. The primary source of evidence comes from the plays themselves, many of which are set in Italy and contain detailed descriptions of Italian cities and landmarks.
For example, Romeo and Juliet is set in Verona, and contains many specific details about the city, including references to its streets and buildings. The Merchant of Venice is set in Venice and contains detailed descriptions of the city’s canals and architecture. Othello is set in Venice as well, and contains references to the city’s customs and laws.
In addition, some of Shakespeare’s contemporaries wrote about his travels. For example, an Italian author named Giulio Camillo wrote in 1550 that Shakespeare had visited Venice and had seen the city’s Jewish ghetto, which is depicted in The Merchant of Venice.
There is also some indirect evidence to suggest that Shakespeare may have visited Italy. For example, it was common for English nobles to take the Grand Tour, a journey through Europe that often included a visit to Italy. Shakespeare was known to have had connections to the nobility, and it is possible that he may have accompanied a nobleman on a journey to Italy.
While the evidence is not conclusive, the many references to Italian cities and landmarks in Shakespeare’s plays, combined with contemporary accounts of his travels, suggest that he may have visited Italy at some point in his life.
And that’s me told. Almost, anyway. I slipped effortlessly back into my school desk above the quad in the old Boys School buildings, not this time thinking about the drum line in Mud’s Tiger Feet, but about the line ‘yon marble skies.’ And coughty years of smirking about the mistake I’d been sure my English teacher made were blown out of the water when I asked who wrote about ‘yon marble skies’?
The phrase “yon marble skies” appears in the poem “Childe Harold’s Pilgrimage” by Lord Byron. The poem was published between 1812 and 1818 and tells the story of a young man named Childe Harold who embarks on a journey through Europe. The poem is notable for its vivid descriptions of the landscapes and cities that Childe Harold encounters on his journey, and “yon marble skies” is one such description of the sky above a Mediterranean landscape.
I tried again, asking ‘Which Shakespeare play contains the phrase ‘yon marble skies’?” I got an apologetic ChatGPT this time.
I apologize for the error in my previous response. The phrase “yon marble skies” does not appear in any of Shakespeare’s plays. It is actually a phrase from the poem “Childe Harold’s Pilgrimage” by Lord Byron. I apologize for any confusion my previous response may have caused.
Hmm. No confusion caused, Chatbot, just a fondly-held preconception shattered. I was sure I’d seen the line in print in my copy of Othello, but I can’t be arsed to leaf through every single page of it to prove a point. That’s what AI is for.
As it is, none of these answers are enough to write a whole essay. But stick five questions together about pretty much anything and there definitely would be enough to play both sides of Dark Side Of The Moon before bedtime and hand in the homework next day. It works.
It isn’t everything, but it’s enough of everything to get the grunt out of grunt work. And it’s going to transform the vaunted knowledge economy in the same way the steam engine transformed cottage industry. It’s going to wipe it out. Starting now.
Once upon a time in a land long ago I had to go to visit companies to tell them how utterly wonderful CACI’s geodemographic ACORN system was. If the company name means anything at all to you, you’re probably thinking Abu Ghraib, the torture camp they ran in Iraq, the one Lynndie England got her jollies in, the one that had been given so much authority by a grateful President in his War On Terror/Abstract Nouns that not even the Department of Defence were allowed in the prison without CACI’s say-so.
Given that honour wasn’t so much as bound as tasered, shackled, extraordinarily renditioned and water-boarded, I’m proud to say all that happened considerably after my time at a company whose only other claim to fame was not launching the Tesco Clubcard, which was essentially invented by an ex-CACI staffer, ex because he couldn’t stand working for a company that didn’t seem to know what it was it sold. Apart from a geographic analysis system linking postcodes to Census information in a manner it was never designed to do. So far so blah.
CACI and I really didn’t get on after they wanted me to pitch the Conservative and Unionist Party of Great Britain to offer to help them win the election, chiefly on the basis that I had an accent they judged more Conservative than my Essex Girl boss. One of CACI’s frequent misapprehensions on at least two fronts.
The good bit in a period of frankly not that many good bits was getting to drive around the country using someone else’s petrol in someone else’s car, even if the CACMobile happened to be a white XR3i my boss would have been orgasmically happy driving. On a sunny day when the world was younger I went to see an Electricity Board somewhere deep in the leafy Surrey heartlands between London and the sea.
Surrey didn’t seem to be the hardest word. “Trolley” however, was. This was so very long ago that the electricity company sold the appliances that used electricity as well, everything from electric fires, washing machines, irons and what they forthrightly called Load Builders, things like tumble dryers and fan heaters, the stuff that then and again now, chewed up electricity as if it was going out of fashion, unlike the chairman’s bonus which never does.
Deep penetration
The thing in the picture was called a hostess trolley. Pausing only to check her hair in the hallway mirror, while her husband (of COURSE he was her husband!!! How very DARE you!!!!) offered the people from three doors down a nice little drop of something for you, Mark, and a very nice little Liebfraumilch for your good lady (and yes, of course they drove there. New Cortina, and Mark’s in line to be upgraded to a Granada…) while Mrs Suburbia could pop the almost-ready food on a hostess trolley to keep it warm while she nervously necked rather too much Asti Spumante than was perhaps entirely decorous. Pardon me!
In other words, hostess trolleys were a mobile way to keep food warm, so you could relax at your dinner party, especially if Carol and Mark were up for seconds. CACI and many otherwise sane adults spent its entire working life helping people sell this crap. They claimed they truly believed it was a science, almost a priesthood, to which your business too could be admitted on payment of a very reasonable fee. The proportion of potential customers for say, a hostess trolley who actually bought the things in a given area (do please call it a geography. It sounds so much more sciencey) was called the market penetration level. Which was fine, except I was presenting to two women at the electricity company. One was about ten years older than me, competent, friendly, interested in what I had to say so far as business was concerned. And she’d worked on marketing hostess trolleys, which was how we began talking about them.
The other one was my age. And OMG gorgeous. Cartoon, can’t-look-at-without-your-mouth-dropping-open, Jessica Rabbit gorgeous. Every time I looked directly at her I was lost for words. I couldn’t even say “Load Builder.” Unfortunately, another of the words I was lost for was “trolley”. And “market.”
I spent nearly twenty minutes staring at her with what I hoped was a wise, worldly, friendly, above-all approachable half-smile playing lightly on my lips in a manner I hoped she might be at some point in the foreseeable future, while I talked about hostess penetration levels.
She didn’t say much. She kept smiling and so did the older one, her boss. It was a happy, sunny, slow afternoon and we were all having as much fun as you ever usually got working in that kind of job.
I didn’t realise what was happening until nearly the end of my pitch. I made my excuses and left. Surprisingly, they never spoke to me again.
Once upon a time in a land long ago, Christmas came slowly to a small village in Wiltshire, where a small boy looked excitedly for the presents he hoped would come.
Dear reader, I was that small boy. And I found them. Under the stairs, in the dark, brand new in boxes but not yet wrapped, was what looked like a huge collection of model soldiers. They weren’t Airfix, so points and some excitement lost there, but there were loads of them and I hadn’t seen them before.
The family, so fas I knew, was Mum and Dad, my two sisters and me. In those days my younger but oldest sister got literally hysterical about Christmas, as about much else. The year before, or before that, she woke me up around 3am insisting she’d seen Father Christmas. We had a tradition that a mince pie and a glass of whisky or sherry was left out on top of the piano for him and in the morning it was always gone; proof, if proof were needed. But this was different. She’d actually SEEN him. She was adamant.
My village friend Andrew had a weird uncle who’d told us about the Red Ghost of the Barn. It frightened me so much one night that I woke up screaming, even though I knew as soon as I was awake that what had been described as a Victorian ghost was pretty unlikely to spend the rest of eternity tramping up and down the landing of a 1960s estate house. Now, I think the mad uncle had been trying to tell us about the Red Barn Murder* despite that it had happened 200 miles away and adding a ghost into it to scare us. It was a thing some adults did in those days.
All of that made for a creepy atmosphere with a hysterical small girl claiming to have actually seen Father Christmas, who next said she could hear bumps on the roof and soon after, the sound of sleigh bells. Which I then heard myself, but that’s not really part of this story and in any event hysteria is remarkably infectious. But none of that was under the stairs one quiet afternoon when I found the stash of model soldiers Father Christmas had forgotten to hide.
I don’t know if children do this now, or if other children did this then, but I found it easy to believe two contradictory things at once, that there really was a Father Christmas and that it was really my father and/or mother, depending whose turn it was, which perhaps isn’t actually contradictory really, at all.
Beleiving both things at once, I told my father I’d found my presents, or at least the model soldier part of my presents.
No, said my father. You haven’t. I have though. They’re model soldiers. Under the stairs. They weren’t wrapped up. No, my father told me again. Those are for another little boy.
And they were.
I never saw them again. I certainly didn’t see them on Christmas morning, nor at any other time. I don’t think shops took things back in those days, and I’d think certainly not just on the basis that a little boy had found them before he should have done. Which brought me to the conclusion that yes, my father wasn’t lying, although we later found out he had about much else. They were for another little boy.
It turned out, a decade later, he was a bigamist. I found out that a lot of what he said was a lie. He wasn’t born in Australia, but instead in Kent. His entire family weren’t dead, in the war or otherwise; I found out last year there were at least four of them, including his mother, alive at the time he married my mother, by which time he was also supposed to be married. If he was however, it was under another name as I can’t find any record of that event, although his name appears with a woman’s name I don’t recognise in exactly the right village at exactly the time he was ‘away on business’ a lot. I don’t know.
I also don’t know how much of this was known and colluded with, in my own family, in my own household, or as much of it as a disappointed model soldier-less six year old can claim. How do you explain to your wife that yes, ok, you know those model soldiers, the ones I thought he’d like, well, maybe he wouldn’t, so I’m going to er…chuck them in the bin. No, not here, obviously. Somewhere else. It doesn’t make sense, does it? None of it does.
I do know one thing about all of it though, something that’s been confirmed again and again, the more I dig, finding relatives in Valparaiso, not finding anyone in the Royal Air Force, a body which had been an obsession of my father’s for as long as I can remember. I’ve never got on with families. I don’t know what to do with them. I don’t trust them, or their motives. It’s taken much too long to acknowledge this out loud.
The Case of the Red Barn was a very, very famous Victorian murder indeed, so famous that they even made pottery Red Barns to put on your mantelpiece next to the Staffordshire dogs and the match holder and mantle clock. A girl called Mariah (who I inevitably think of as Mariah Carey, who it definitely wasn’t) got herself killed while having an argument with her farmer boyfriend, who she was probably pregnant by. He denied all knowledge of her visit and took himself off to London. A year or so later, letters started to appear at her parents’ house, purporting to be from Mariah, who according to the letters, was doing fine but really, really busy so can’t visit, must dash, stuff to do and so on.
The boyfriend, definitely ex by this time, got to feeling a bit lonely and stuck adverts in the local newspaper looking for a wife. Mariah’s mother, who’d predictably never liked him, began to have dreams that Mariah wasn’t just dead but was buried underneath the Red Barn. She sent her husband with what we used to call a dibber, what they called a mole spud, but whatever it was called a long stick with a pointy end that he jabbed into the floor of the barn, looking for soft patches. He found some. He also found his daughter, very dead indeed and stabbed multiple times. It didn’t occur to anybody back then that maybe, just maybe, the multiple stab wounds had happened a very long time after the poor girl was dead, nor that the gunshot wound to her skull would have done the job on its own, nor that it was at an unusual angle for someone else to have shot from, but a quite explicable one if there had been a struggle, that Mariah had grabbed her boyfriend’s gun (at a time when anyone with some substance would have thought taking a small gun with them out at night was a sensible and normal thing to do) and threatened to blow her brains out if he didn’t marry her before he grabbed the gun to stop her and it went off, as he alleged at his trial.
He was easy to find, from the Victorian lonely farmer ads he’d paid for. The jury was having none of it. He danced the Newgate jig. To make his life not entirely pointless his skeleton was used as a training aid and as a joke date by nurses in Bury St Edmunds for another hundred and twenty years. Some of the skin off his back was used to bind a book you can see for yourself in the town’s museum. An everyday if horrific story of country folk. But not the story Andrew’s mad uncle told us, entirely. And certainly not the fictions my father told me.
A tetela is, geometrically at least, akin to the samosa. A disc of dough, wrapped around a filling to make a very effective triangular pasty. Cavita rather cleverly makes hers from heritage corn, stuffs them with smooth and gorgeously seasoned mashed potato then crushes them flat enough on the griddle to form a crisp base to a topping of smoked mushrooms.
FT.com/Magazine: November 26/26 2022
Remembering Mexican food as I do, isn’t that utterly wonderful?
Just amazingly who could be cruel enough to Christen (and if she’s Mexican you can safely assume she was Christened, whatever happened afterwards) their little girl-child Cavita, as if that wasn’t enough on its own to get the family slapped on the At Risk register before the ink was dry on their signatures? It turns out that the poor girl was actually called Adriana Cavita and while you can’t get a much more FT Weekend name than that it’s probably also true that anyone called something like that probably didn’t go to the kind of school where reference to her cavities was everyday parlance.
But equally, who could write such fantastically camp copy about gorgeously seasoned mashed potato and very effective triangular pasties? Who could enthuse over “heritage corn” used not even vaguely ironically? Not apparently Damien Trench but someone called Tim Hayward, who also contributed the masterly geometrically at least, as well as the world-class akin.
I was so distracted by the self-parody of that alone that I accidentally remembered the Tex-Mex Hell that once was London, or at least my bit of it, back when red braces and Golf GTis were a thing. Mine were embroidered with little edelweiss and silver. Respectively, since you ask. The recollection proved that Meatloaf was wrong, on that at least. It was long ago and far away but it definitely wasn’t so much better than it is today.
Mexican food was stomach-ache-making sludge
There. I’ve said it now. Every time I ate Mexican I got food-poisoning, didn'[t go home with anyone else, spent far too much, got a splitting headache and had to spend half of Sunday in the bathroom. Now, a doctor might say that was perhaps maybe more to do with not washing hands, or possibly the amount of tequila slammers I’d felt compelled to drink because frankly, there was nothing else to do. There used to be a huge cavernous pit of hell somewhere in Leicester Square that had deafening music and girls in bikinis draped with bandoliers they poured shots from. I’ve always had a hearing issue but it took me decades to realise it; I just assumed I didn’t really like most of the people who I went there with and never really saw the point of going out much because I never met people. It took years to realise that of course I met people, lots of them, when I calculated I went home with a representative sample of them. It was just that most of the time I couldn’t hear them unless I spent most of a date hunched across some Covent Garden table for two desperately trying to get my ear down some poor girl’s throat so I could hear her fifteenth and by then somewhat testy repetition of ‘yes, ok.’ By which time most sensible girls had either got a sore throat, drunk themselves half into a coma, thought ‘oh for Chrissakes’ and/or quite often, gone home.
There was another sludge pit on Queensway, where the corn chips arrived slathered in the cheapest cheddar-type product known to man and half-submerged in three colours of edible mud, accompanied by a soundtrack of Country & Western music, if that’s not too strong a word for it. It was Tex-Mex, you see. Steak or sludge, or steak with sludge. N tortilla chips with everything.
I ate Mexican in Washington D.C. one freezing February and managed to feel ill again. It was practically sub-zero outside, I was hungry, didn’t want to eat what passed for meat in America and just wanted something non-meat, fast and portable. Sludge in a wrap was the obvious answer. I think there was rice and spinach involved as well. I didn’t eat anything the time I went to Mexico for the day, but the less said about that lost Sunday probably the better. One of the consolations about getting older is that quite often nobody else remembers the thing you thought stuck in everyone else’s mind as much as it embedded itself in yours.
I’m not saying all Mexican food is bad. No, actually, yes I am, with an important qualification. All the Mexican food I’ve eaten has been unbelievably bad, as if a mad child made it from Play-Do and something the dog sicked up. The tequila was ok, as well as the bikinis, but I don’t think those are inherent parts of a regional food culture. And in any event, the impossibility of finding a black cab to get home in West End wintery and rather less than wonderland and the inevitable argument with some oik in a fifteen year-old Toyota pretending to be a minicab driver wiped out any pleasure the evening might have suggested, promised being far too binding a word.
If you want to find Adriana’s Cavita, it’s in Wigmore Street. Possibly I should.
Once upon a time there was a swanky posh Lahndahn nightclub called Tramps. I never went there and this isn’t about that anyway. Sorry.
For anyone left, it’s about George Orwell and Pulp. If you have any familiarity with either then you can probably guess the rest.
Somehow inexplicably I sort-of missed Pulp. They started in 1978, which was pretty much when my adult story started too, then as Wikipedia puts it, throughout the 1980s struggled to find success. Still, enough about me. Then after slogging away at it for all what must have felt like forever, they released Common People.
Flashback scene of fourteen and fifteen year-old me reading Down & Out In Paris and London, then a little later, The Road To Wigan Pier. For reasons that were never made clear, I had a taste for books like that. Maybe it came from Jack Kerouac, who in my own view at least cemented my cred credentials because a) it was like, the real thing, man, he’d been there. b) Pretty much nobody in my hometown of Trowbridge had heard of him c) Ultra-cred points: he had a name that caught out people who didn’t like, you know, know. I don’t see what more I could have asked for in a teenage muse. Either which way, all of Kerouac’s stuff was about bums, in a way that Razzle and the more usual teenage publications somehow just weren’t. Even Playboy’s extensive exposure of American bums didn’t treat them the way Kerouac did.
Narcissus Und Goldmund was even more seminal, but in a different way to the stuck-together pages of Fiesta. I thought at the time that was the kind of thing fifteen year-olds were supposed to be reading: two monks are best mates, one gets off with a gypsy, realises he’d better leave the monastery before he’s kicked out, goes wandering, becomes a carver, gets off with the wrong person again, runs back to the monastery, emotional reunion, deep spiritual element and all that blah. OK, so not exactly like life in Trowbridge, but enough to resonate. Goldmund needed to wander but he also needed to return. I read the Earth Mother part of it keenly; It was a big thing back then, at least in Wiltshire. Meanwhile, I had a hugely problematic relationship with my real-life mother of a kind that I never found anyone writing about.
Down & Out was about a real-life safari Eric Blair made in the 1930s, leaving his Mummy and Daddy’s house in Southwold to spend some time, in the words of a girl who knew him then and there, ‘pretending to be a tramp.’ My initial reaction to Down & Out was fascination, which rapidly changed to if not contempt, then definitely a sense of wonder. Contrary to the kind I’d guess Orwell was aiming for, I wondered why he’d done it. I didn’t know about his sort-of girlfriend’s reaction for another thirty years or so. But then, there’s not much in the text of Kerouac’s stuff -where our hero spends most of his time in flop-houses, hitch-hiking, drinking and listening to cool jazz when he’s not bumming around America idolizing junkies or looking for forest fires – about ‘and then I went back to my Mum’s for a bit.’
I heard Common People a few days ago and along with I’m Mandy, Fly Me, it’s stuck in my head ever since. Back when songs used to tell a story, long before the format of three lines repeated twelve times and five “song-writers” to achieve even that, the story was about a rich girl who wanted to do what common people do, somewhat to the surprise of the singer. The central conceit among all these cultural references is the same – you can take the kid out of a moneyed background, but you can’t take the moneyed background out of the kid.
OK, Orwell and Kerouac didn’t have mobile phones, unlike the latest model the latest model in Common People undoubtedly did, but the issue is the same: Think this is uncomfortable? Make a phone call and it’ll stop. The whole ‘look what I endured, just like these – let’s say it – Common People categorically is not what they endure at all.
Never live like common people
Never do what common people do
Never fail like common people
You'll never watch your life slide out of view
And then dance and drink and screw
Because there's nothing else to do
Jarvis Cocker, who wrote the song, said at the time “it seemed to be in the air, that kind of patronising social voyeurism… I felt that of Parklife, for example, or Natural Born Killers – there is that noble savage notion. But if you walk round a council estate, there’s plenty of savagery and not much nobility going on.”[8]
I lived on one for six years, dear reader. I didn’t see much savagery, to be honest, but it wasn’t a fun place and I think Pulp had the better point. Being poor isn’t quaint or noble or brave. It’s not even mostly about money. It leaves a lasting fear that really, that’s what life is all about. Not in the manner of a jolly earnest 1930s reformist putting-down his pipe and exclaiming “And thet is what life is all about, comrade!” More in the sense that the fear never goes; life is like that in the sense that it’ll wait, but it won’t have to wait for ever before it calls you back. The fear that one day it’ll come back and dancing, drinking and screwing won’t be an option by then, whatever your old Master at Eton used to say.
It was probably the last day of sailing this year yesterday. Frankly, it can’t happen soon enough. Last year was fantastic sailing; four or sometimes even five days a week, sailing after work, sailing deep into November. Some of those later sailing days weren’t so much fun, to be honest, a combination of not having the main sail downhaul tight enough, the idiotic tendency of the Drascombe Lugger to go backwards and/or turn itself round thanks to the mizzen sail and the absence for the most part of my brilliant crew member, who found she had a load of work on and couldn’t spare the time.
High Water was half-twelve at Martlesham, so I was on the water at just after half-past ten. The plan was to go all the way down to Ramsholt or failing that, the Rocks, then back, then boat out and a power wash, then the long slog through the winter of new anti-foul, sorely needed after I tried to get two years out of the winter 2020 application. This winter I want to get everything out of the boat, remove all the interior hull fittings entirely and then repaint the decks. The boat is getting on for fifty years old. It’s very sound, but weed, mud and general being-used has left it looking past its best. But fixable, very fixable if I first have this last sail today.
Except the engine wouldn’t start. Or rather, it started just fine, but it wouldn’t rev and after a minute or so running just above tickover it slowly died. For once the wind was blowing from the west, so I could sail out of the creek. It usually changes enough to get back in two or three hours. Usually. I changed the spark plug for a new one, marvelled that the old one worked at all when I saw the sooty old one but it didn’t make much difference. Whatever it is, it’s not the sparkplug. It still died three quarters of the way through the moorings and the clock was ticking. I untied the jib and pulled the port sheet and we sailed out anyway, centreboard up to go straight across the bends in the creek and save some time. When I finally had time to look at my watch it was 11:20am.
Note to Royal Yachting Association, Sea Scouts or anyone with a boat: Don’t do this. It’s dumb. It’s only safe in fine weather and it takes most of the fun out of sailing.
But I did it anyway, obviously. The plan, such as it was, was get out of the creek, moor to a bouy off Kyson’s Point as usual, sort out the sails, head south down the Deben to the fabled paradise of Ramsholt, failing that the Rocks, failing that go round the island at Waldringfield, all of which looked possible. The wind out in the Deben is usually different to the wind in Martlesham Creek where it was from the West. In the Deben it was blowing from the north. It’s the trees, the hills and the general cussedness of the river, which is why that part is and always has been called Troublesome Reach.
Drascombes don’t sail fast and downwind they sail a lot slower. I saw another boat coming up from Waldringfield; Alex whose grandfather knew Arthur Ransome, in his own modern adaptation, a Deben Lugger, a lug rig and carbon spars. It shifted through the water a lot faster than mine but he was going upsteam, I was going the other way.
The first thing was the main sail wasn’t up, so I lashed the tiller and sorted that, then re-tensioned the downhaul. I’d used some old line I had hanging around. Modern nylon stuff hadn’t worked and now it had been happily absorbing moisture under its cover in October, nor did this stuff. It jammed in the bronze tunnel cleat. It would have to do I thought, but in the end it didn’t. After half an hour the wind had shifted to blow straight up the river from the south, so I was close-hauled into it. And for that you definitely need the downhaul jammed tight. I had to take out to the other side of the river to clear Coprolite Quay, twice. Coprolite, for those who don’t know, is dinosaur poo. When the Victorians discovered it lay in huge quantities under the Suffolk Sandlings it became a huge export industry, sent out by sea, which meant from here. The tide was massive today and I could hardly see the top of the quay. Made of concrete and very, very solid indeed it was something I definitely didn’t want to run into.
I’d changed the mainsheet mid-season because the old one, too thick, kept jamming in the blocks so I swapped that out to use as a mooring warp and substituted some brand-new 8mm slinky braid that slipped through the blocks like a snake. It also slipped through the jamming cleat too, not least because one of them had disintegrated its spring so it didn’t flip closed. I never use the horn cleats Drascombes have because I’ve always thought them an accident looking for somewhere to happen. The only way to use a horn cleat is to loop the line around it, over the end, make a loop, reverse it then drop that over the other end of the horn. It’s neat, with practice it’s quick and it’s tight. It’s also a pain to get undone in a hurry without a knife, which is why on a gusty river with a fickle wind it’s something you don’t even want to think about if you don’t like the idea of being 90 degrees tipped-over. Which I’m too old for.
Because I was pointing too close to the wind progress was slow. We got down into the pool below Coprolite and I looked for a bouy to moor up to so I could sort out the downhaul and generally tidy up. The problem was that every one of them was either a race can or a channel marker. Not one of them had a rope on it, or even a ring to put a rope through. It was time to turn around. I’d planned to go through the New Cut, dug in the 1800s to make the river more manageable for the bigger ships that were coming, with predictable results. The ships kept getting bigger and the New Cut couldn’t make enough of a difference to stop them going somewhere else. I’ve heard all the tales of the old barges carrying grain and everything else down this river to London and how the old boys who sailed them carried on into the 1920s, maybe even the 1950s without engines, but I’ve also thought there’s only one reason anyone would do that; they couldn’t afford an engine.
We turned around and headed up river. Alex was long gone in his carbon StarTrek Lugger and I couldn’t clearly see where the New Cut was in this huge tide. I could see the green hull of Peter Duck, one of Ransome’s boats, clear across where the reedy island usually is and today wasn’t. I didn’t want to get stuck there for twelve hours. A powerboat was coming up behind me and being higher he could see more clearly. He came past to port and I followed him in then turned West towards Peter Duck to pick up one of the mooring buoys there.
It all went less than optimal from there. I changed the spark plug because who doesn’t carry a spare? It made zero difference. Started first pull but wouldn’t rev, then what revs there were just died away to nothing. Ok, I’ll sail it back on jib and mizzen, because frankly I couldn’t be arsed to put the main up again and anyway the wind was getting up now, blowing from the south in the Deben and I didn’t want to be overpowered coming-in to the moorings solo. I had to go pretty much all the way to the end of Troublesome to have enough leeway to turn and go straight up Martlesham Creek, where predictably, the wind was blowing from the West again, straight down the creek at me, with the tide going out as well now. I dropped the sails, got the oars out and rowed. It’s only half a mile.
A Lugger happily fantails into the wind when you’re rowing. Add to that that I can’t see behind me and it all took a while to get back. Good exercise, but I was looking for a pleasant sail instead of a workout.
I was out for just over four hours and came away hot, sweaty and not best pleased. I went back today and sorted everything. The engine wouldn’t rev and eventually wouldn’t start because if you look at the picture above, there’s a kink in the fuel line after the fuel filter. Nothing to do with cleaning the filter, blowing through it, dirty petrol, old petrol, bad spark plug, evil spirits, none of that. Just no fuel getting through. A bit of jiggling the line around and it runs fine. While I was there I got rid of the daft German mainsheet arrangement, put a spare block on and attached the other double block directly to the horse. I still need a jammer cleat for the mainsheet, but I know where I can get a nice brass tube cleat that will fit on the tiller arm.
After that pump out the bilge, after that cut some of the nice new red braid line for the downhaul, and that works really well in the brass tube cleat at the base of the mast. Then re-arrange the step fender tied-on at the stern so that if I actually do manage to go overboard singlehanded I stand a chance of being able to get back into the boat.
The last thing was re-tying every line that went around horn cleats, so front and aft mooring warps. I’d watched You Tube and found an absolutely brilliant, quick, safe, fast trick for cleat hitches and horn cleats. The fact I can do it one-handed with my left hand without even thinking and do it much more slowly using my right or both hands is just one of those things. It’s a really seriously good trick.
All in I spent about two and a half hours doing all this today. It was time well-spent. I think I enjoy this stuff more than actually sailing, or certainly sailing on the Deben with its ridiculous wind-shifts. I don’t know if there will be any more sailing this year. The boat’s still in the water if I do but the clocks go back this weekend, the time when I think ‘only six weeks, that’s all you have to cope with, just six weeks and it’ll start getting lighter, you can cope with that.’ And I can. There’ll be another summer on the water. With any luck at all I’ll be there to sail it.
When I was a kid we got a big coat each winter, which meant a trip to Bath or Bristol, where the big shops and bright lights were. It was a special time, more for the excitement of strange things than the inevitable argument over the fact that actually a coat that made me look like a Poundland Ziggy Stardust probably wasn’t the best option for a West Country January, let alone a Wiltshire school. What was more rubbish was shoes.
While coats were obviously a big-ticket-big-trip item, shoes didn’t seem to be. Ever since I could buy my own they’ve been more or less of a disaster either in terms of being utterly rubbish, like the three-colour 1970s abominations that made me look like one of Ken Dodd’s Diddymen, or in terms of their cost, like the impulse-buy coming-out-of-a-great-meeting-and-finding-a-sale-rack Gucci loafers. Admittedly, for the conference of Greek shipping tycoons in Limassol I was buying them for they were entirely perfect and seventeen years on still are, but £400 and something in a fricken sale does seem a little on the excessive side. It was the same with the John Lobb black monk shoes from Jermyn Street, again bought in a sale. That wasn’t the time I got bounced out of £100 in five minutes for two ties in Turnbull & Asser, when in any event Your Honour, drink had been taken and after the undivided attention of Young Adam at Trumper’s I was in an expansive mood. It’s entirely possible that I should add that yes, I know lots of people can’t afford shoes, let alone £400-in-a-sale shoes. In my defence, when I was a kid my shoes were crap. Now I can fix that. So I am.
But anyway, fast forward calendar to this week. We’re going on holiday, definitely not by accident. We’re going to be doing a lot of serious up-mountains walking (no, really actually mountains) and at the same time we’re going to be near Capri and we’re not talking Ford, so we need to look at least half-way decent. Due to my advanced years and dated preconceptions I don’t think I can walk in anywhere nice in trainers and frankly I wouldn’t want to be there if I could. There’s a perfectly good pair of Italian Zamberlan walking boots in their box in the cupboard but they don’t look the kind of thing you could go to dinner in anywhere half-decent. So, new boots time.
And this is where the balance thing comes in. Seven years ago I bought a pair of Dubarry jodhpur boots in their sale for £99, half-price. They had a Goretex lining, a bit of a cleated sole and all told they were absolutely perfect for pretty much everything from going to the Saturday Market to tour-guiding to teaching to going for a walk in the fields. I got four years out of them before the sole got too thin to wear, when I took them to the local shoe mender. Who promptly messed-them up. To be fair, they did a brilliant job with a pair of Alfred Sargent veldtschoen boots when they put a Dainite sole on them after only ten years on the original leather, but the Dubarry’s were literally unwearable and got banished to the boot of the car, in case of the kind of emergency when you suddenly need a pair of boots that don’t quite fit comfortably. Falling-in sailing, for example. All of which pointed to looking at the Dubarry website for a sale when it came to new boots with some tread that didn’t look as if I’d just climbed the Matterhorn in them.
In between ordering them online and actually getting them today I found something else online, also half-price. The trouble was that their half-price was literally double the half-price of the Dubarry’s, then a bit more. The Dubarry pair, rather to my surprise, were made in Portugal, where they make good shoes very cheaply, but that doesn’t entirely fit with the hand-made in Ireland story I’d come to expect from Dubarry. This other, putative pair of Dundas 01s were made in Norway. I think. They should arrive tomorrow. This picture, below, shows what got me about them.
Now, at current exchange rates, thanks to the overwhelming prudence and sagacity of this Conservative government, these boots should cost £412. Because I am not as rich as creasote (as Wodehouse put it) I didn’t pay that for them, or anywhere near. But the balance point is this: do I pay £100-ish for boots that will last five years or double that for boots that will last literally the rest of my life, and I don’t mean if I die next Tuesday? I know which I should do. I just don’t know if I will. Let’s see what happens when they turn up tomorrow.