Nothing to do with the R.E.M. song I still think is a bit modern, before I realise it was released a heart-stopping twenty-six (count ’em, as they used to say) years ago.
I went to the British Museum yesterday and saw the mummies, like you do. On the way I saw an even sadder sight, the old and ageing soldiers of a war that nobody even wants to talk about any more, marching through the streets of London. Justice For Northern Ireland Veterans might actually happen more quickly if they weren’t quite so keen on spouting nonsensical tabloid headlines, I felt. I thought, from the name on their banners and their cry that they were ‘treated worse than terrorists’ that they were protesting disability benefit cuts, or pathetic pensions. I was wrong about that, the same way they were wrong if, like any other soldier, they were surprised that once it’s done with them the Army spits them out and forgets all about them, war or no war.
They claim on their website that their only desire is to lobby Parliament to stop criminal investigations of service personnel who might have you know, sort of shot someone once now and again. Which may or may not be fair enough, given that all sorts of people were shooting all sorts of other people at the time and that the RUC, who at least aren’t the Army themselves, had already had a look over the case and decided there wasn’t one. What demonstrably wasn’t true was the idea that JFNIV doesn’t support any political doctrine.
Now, it might be just me, but I’d say a better way of showing that would be to not actually march through the streets screaming about how much of a (yawn) ‘traitor’ Jeremy Corbyn was for talking to the IRA when Margaret Thatcher was doing exactly the same thing but lying about it, which apparently makes it ok. Which isn’t snark but an opinion held by a number of people not known to be using psycotropics.
It was sad. A tiny parade of mostly portly and quite elderly men, accompanied by a guy in his early sixties who looked as if he’d sooner be ambling glumly along a Burford pavement towing a brace of spaniels and a much more disturbing character the same age but wielding a ’70s Zapata moustache and a camo backpack, running elaborately on the double up the pavement as if he’d just spotted a balaclava and forgotten his L1A1.
The mummies weren’t remotely scary. Just sad. The fact that if you were the king’s favourite blacksmith or swordmaker meant that just like his horse, you were going to be killed when he died, to make sure the afterlife was just the way he wanted it, was pathetic enough. The 250,000 litres of wine one pharaoh had buried with him in case he wanted to throw a party in heaven was tragically stupid too. But for me the saddest thing was the little models of clay pots, the outsides done perfectly but the insides not actually insides at all. After death, buried with the dead, they were supposed to not only grow to full size but to become real pots, hollow, to hold something.
Five, seven, who knows how many thousand years on, they hadn’t. In scientific and theological terms, that was all bollocks. No heaven. No afterlife. Not even empty vessels. Just an idea of something, a something that didn’t happen, at that.